Zapomniana rewolucja

The subjects of analytical reflection by Agata Araszkiewicz are not only the unknown female writers of the Interwar period (Aniela Gruszecka, Wanda Melcer), but also the under-appreciated ones (Irena Krzywicka) and those whose celebrity eclipses their true value (Pola Gojawiczyńska). Utilising the t...

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Huvudupphov: Araszkiewicz, Agata
Materialtyp: Online
Språk:polska
Utgiven: Instytut Badań Literackich Polskiej Akademii Nauk 2024
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Länkar:ONIX_20240916_9788367637749_182
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author Araszkiewicz, Agata
author_browse Araszkiewicz, Agata
author_facet Araszkiewicz, Agata
author_sort Araszkiewicz, Agata
collection Directory of Open Access Books
description The subjects of analytical reflection by Agata Araszkiewicz are not only the unknown female writers of the Interwar period (Aniela Gruszecka, Wanda Melcer), but also the under-appreciated ones (Irena Krzywicka) and those whose celebrity eclipses their true value (Pola Gojawiczyńska). Utilising the tools of feminist criticism, the author reflects on whether, in the novels created by women, a new type of subjectivity had emerged, and whether these ‘artistic achievements of feminism’, which the critics of the era wrote about, extended the canon of Polish literature. The potential present in those works becomes visible, thanks to Agata Araszkiewicz’s sensitivity to new thematization (the achieving of an artistic, creative identity by a woman, the mother-daughter relationship, the ineffability of female homosexuality, the somatic experience of pregnancy described as a philosophical phenomenon). The author creates her own cartography of women’s literary subculture of the Interwar period, which emerges as a group of texts consciously referring to one another. Literary experiments or distinct linguistic manifestations reveal the work on the female textual subjectivity and the different experience of the body, andthe social and cultural roles it entails. The interpretations of Araszkiewicz, utilising English-language feminist criticism, which focusses on the identity of the author on the one hand, and the French écriture feminine concepts of self-expression on the other, ascribe novel readings to known problems, shining a light on what was marginalised in traditional approaches. It is this illumination that is the most interesting and most revealing part of the work. (Prof. dr hab. Maria Janion)
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spelling doab-20.500.12854ir-1449752024-09-16T09:49:39Z Zapomniana rewolucja Araszkiewicz, Agata feminine prose literary studies écriture feminine feminist criticism interwar period (the) thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups The subjects of analytical reflection by Agata Araszkiewicz are not only the unknown female writers of the Interwar period (Aniela Gruszecka, Wanda Melcer), but also the under-appreciated ones (Irena Krzywicka) and those whose celebrity eclipses their true value (Pola Gojawiczyńska). Utilising the tools of feminist criticism, the author reflects on whether, in the novels created by women, a new type of subjectivity had emerged, and whether these ‘artistic achievements of feminism’, which the critics of the era wrote about, extended the canon of Polish literature. The potential present in those works becomes visible, thanks to Agata Araszkiewicz’s sensitivity to new thematization (the achieving of an artistic, creative identity by a woman, the mother-daughter relationship, the ineffability of female homosexuality, the somatic experience of pregnancy described as a philosophical phenomenon). The author creates her own cartography of women’s literary subculture of the Interwar period, which emerges as a group of texts consciously referring to one another. Literary experiments or distinct linguistic manifestations reveal the work on the female textual subjectivity and the different experience of the body, andthe social and cultural roles it entails. The interpretations of Araszkiewicz, utilising English-language feminist criticism, which focusses on the identity of the author on the one hand, and the French écriture feminine concepts of self-expression on the other, ascribe novel readings to known problems, shining a light on what was marginalised in traditional approaches. It is this illumination that is the most interesting and most revealing part of the work. (Prof. dr hab. Maria Janion) 2024-09-16T09:49:38Z 2024-09-16T09:49:38Z 2014 book ONIX_20240916_9788367637749_182 9788367637749 9788361750482 https://directory.doabooks.org/handle/20.500.12854/144975 pol Lupa Obscura image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.7switch.com/fr/ebook/9788367637749/from/openedition https://books.openedition.org/iblpan/7158 Instytut Badań Literackich Polskiej Akademii Nauk 10.4000/books.iblpan.7158 The subjects of analytical reflection by Agata Araszkiewicz are not only the unknown female writers of the Interwar period (Aniela Gruszecka, Wanda Melcer), but also the under-appreciated ones (Irena Krzywicka) and those whose celebrity eclipses their true value (Pola Gojawiczyńska). Utilising the tools of feminist criticism, the author reflects on whether, in the novels created by women, a new type of subjectivity had emerged, and whether these ‘artistic achievements of feminism’, which the critics of the era wrote about, extended the canon of Polish literature. The potential present in those works becomes visible, thanks to Agata Araszkiewicz’s sensitivity to new thematization (the achieving of an artistic, creative identity by a woman, the mother-daughter relationship, the ineffability of female homosexuality, the somatic experience of pregnancy described as a philosophical phenomenon). The author creates her own cartography of women’s literary subculture of the Interwar period, which emerges as a group of texts consciously referring to one another. Literary experiments or distinct linguistic manifestations reveal the work on the female textual subjectivity and the different experience of the body, andthe social and cultural roles it entails. The interpretations of Araszkiewicz, utilising English-language feminist criticism, which focusses on the identity of the author on the one hand, and the French écriture feminine concepts of self-expression on the other, ascribe novel readings to known problems, shining a light on what was marginalised in traditional approaches. It is this illumination that is the most interesting and most revealing part of the work. (Prof. dr hab. Maria Janion) 10.4000/books.iblpan.7158 477a500c-a33d-4a1b-a93c-25951fa98708 9788367637749 9788361750482 271 Warszawa open access
spellingShingle feminine prose
literary studies
écriture feminine
feminist criticism
interwar period (the)
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
Araszkiewicz, Agata
Zapomniana rewolucja
title Zapomniana rewolucja
title_full Zapomniana rewolucja
title_fullStr Zapomniana rewolucja
title_full_unstemmed Zapomniana rewolucja
title_short Zapomniana rewolucja
title_sort zapomniana rewolucja
topic feminine prose
literary studies
écriture feminine
feminist criticism
interwar period (the)
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
topic_facet feminine prose
literary studies
écriture feminine
feminist criticism
interwar period (the)
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
url ONIX_20240916_9788367637749_182
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