Nowoczesny Orfeusz
The most famous novel by Stanisław Lem was based on the structure of the myth of Euridice and Orpheus. An enigmatic lyric by Aleksander Wat appears to be a brilliant grammar of creating a scene of losing Euridice anew. Czesław Miłosz is the author of one of the most revelatory readings of Orpheus’s...
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Instytut Badań Literackich Polskiej Akademii Nauk
2024
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| Διαθέσιμο Online: | ONIX_20240916_9788367957137_205 |
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| _version_ | 1869518158623145984 |
|---|---|
| author | Jaworski, Maciej |
| author_browse | Jaworski, Maciej |
| author_facet | Jaworski, Maciej |
| author_sort | Jaworski, Maciej |
| collection | Directory of Open Access Books |
| description | The most famous novel by Stanisław Lem was based on the structure of the myth of Euridice and Orpheus. An enigmatic lyric by Aleksander Wat appears to be a brilliant grammar of creating a scene of losing Euridice anew. Czesław Miłosz is the author of one of the most revelatory readings of Orpheus’s story, and one that is typical of our ‘Secular Age’ at the same time. In her play written during World War II, Anna Świrszczyńska undertook an incorporation of the figure of Orpheus into the history of travel to the Hades: a hero of a community, deprived, up to that point, of his own storyline. The terminally ill Stanisław Wyspiański was also drafting a play about the hero; Konstanty Ildefons Gałczyński mentioned similar plans in his notes from a prisoner-of-war camp. These are just examples of the surprisingly rich and varied Polish reception of the stories of the first artist, previously only studied to a lesser degree. This monograph is devoted to Polish literature of the last one hundred years, as well as the centuries-old history of the transformations of the Orpheus myth in Western art. In it, one can find a proposal of a mythological reading of works not directly related to the storyline, a reflection on the alternative history of its reception, as well as on the future fate of the topic. The text incorporates fifteen contextual fragments, pertaining to the key elements and classical realisations of the myth: these can be read in any order, as entries in a, previously inexistent, Orphean encyclopaedia. |
| format | Online |
| id | doab-20.500.12854ir-144998 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Instytut Badań Literackich Polskiej Akademii Nauk |
| publisherStr | Instytut Badań Literackich Polskiej Akademii Nauk |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1449982024-09-16T09:50:51Z Nowoczesny Orfeusz Jaworski, Maciej Jaworski, Maciej myth Orpheus Polish literature Wat (Aleksander) Miłosz (Czesław) Świrszczyńska (Anna) Wyspiański (Stanisław) Gałczyński (Konstanty Ildefons) thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism The most famous novel by Stanisław Lem was based on the structure of the myth of Euridice and Orpheus. An enigmatic lyric by Aleksander Wat appears to be a brilliant grammar of creating a scene of losing Euridice anew. Czesław Miłosz is the author of one of the most revelatory readings of Orpheus’s story, and one that is typical of our ‘Secular Age’ at the same time. In her play written during World War II, Anna Świrszczyńska undertook an incorporation of the figure of Orpheus into the history of travel to the Hades: a hero of a community, deprived, up to that point, of his own storyline. The terminally ill Stanisław Wyspiański was also drafting a play about the hero; Konstanty Ildefons Gałczyński mentioned similar plans in his notes from a prisoner-of-war camp. These are just examples of the surprisingly rich and varied Polish reception of the stories of the first artist, previously only studied to a lesser degree. This monograph is devoted to Polish literature of the last one hundred years, as well as the centuries-old history of the transformations of the Orpheus myth in Western art. In it, one can find a proposal of a mythological reading of works not directly related to the storyline, a reflection on the alternative history of its reception, as well as on the future fate of the topic. The text incorporates fifteen contextual fragments, pertaining to the key elements and classical realisations of the myth: these can be read in any order, as entries in a, previously inexistent, Orphean encyclopaedia. 2024-09-16T09:50:49Z 2024-09-16T09:50:49Z 2017 book ONIX_20240916_9788367957137_205 9788367957137 9788365832191 https://directory.doabooks.org/handle/20.500.12854/144998 pol Współczesne badania nad polską literaturą i kulturą image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.7switch.com/fr/ebook/9788367957137/from/openedition https://books.openedition.org/iblpan/10403 Instytut Badań Literackich Polskiej Akademii Nauk 10.4000/books.iblpan.10403 The most famous novel by Stanisław Lem was based on the structure of the myth of Euridice and Orpheus. An enigmatic lyric by Aleksander Wat appears to be a brilliant grammar of creating a scene of losing Euridice anew. Czesław Miłosz is the author of one of the most revelatory readings of Orpheus’s story, and one that is typical of our ‘Secular Age’ at the same time. In her play written during World War II, Anna Świrszczyńska undertook an incorporation of the figure of Orpheus into the history of travel to the Hades: a hero of a community, deprived, up to that point, of his own storyline. The terminally ill Stanisław Wyspiański was also drafting a play about the hero; Konstanty Ildefons Gałczyński mentioned similar plans in his notes from a prisoner-of-war camp. These are just examples of the surprisingly rich and varied Polish reception of the stories of the first artist, previously only studied to a lesser degree. This monograph is devoted to Polish literature of the last one hundred years, as well as the centuries-old history of the transformations of the Orpheus myth in Western art. In it, one can find a proposal of a mythological reading of works not directly related to the storyline, a reflection on the alternative history of its reception, as well as on the future fate of the topic. The text incorporates fifteen contextual fragments, pertaining to the key elements and classical realisations of the myth: these can be read in any order, as entries in a, previously inexistent, Orphean encyclopaedia. 10.4000/books.iblpan.10403 477a500c-a33d-4a1b-a93c-25951fa98708 9788367957137 9788365832191 487 Warszawa open access |
| spellingShingle | myth Orpheus Polish literature Wat (Aleksander) Miłosz (Czesław) Świrszczyńska (Anna) Wyspiański (Stanisław) Gałczyński (Konstanty Ildefons) thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Jaworski, Maciej Nowoczesny Orfeusz |
| title | Nowoczesny Orfeusz |
| title_full | Nowoczesny Orfeusz |
| title_fullStr | Nowoczesny Orfeusz |
| title_full_unstemmed | Nowoczesny Orfeusz |
| title_short | Nowoczesny Orfeusz |
| title_sort | nowoczesny orfeusz |
| topic | myth Orpheus Polish literature Wat (Aleksander) Miłosz (Czesław) Świrszczyńska (Anna) Wyspiański (Stanisław) Gałczyński (Konstanty Ildefons) thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| topic_facet | myth Orpheus Polish literature Wat (Aleksander) Miłosz (Czesław) Świrszczyńska (Anna) Wyspiański (Stanisław) Gałczyński (Konstanty Ildefons) thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| url | ONIX_20240916_9788367957137_205 |
| work_keys_str_mv | AT jaworskimaciej nowoczesnyorfeusz |