"Osobiste sprawy i tematy"
The problem of an artist being confronted with a foreign culture is one of the key existential and aesthetic challenges Gustaw Herling-Grudziński, who had decided to leave Poland for political reasons, had to face. The aim of this book is to describe the phenomenon of the writer’s inculturation from...
保存先:
| 第一著者: | |
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| フォーマット: | Online |
| 言語: | ポーランド語 |
| 出版事項: |
Instytut Badań Literackich Polskiej Akademii Nauk
2024
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| 主題: | |
| オンライン･アクセス: | ONIX_20240916_9788367957243_215 |
| タグ: |
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| 要約: | The problem of an artist being confronted with a foreign culture is one of the key existential and aesthetic challenges Gustaw Herling-Grudziński, who had decided to leave Poland for political reasons, had to face. The aim of this book is to describe the phenomenon of the writer’s inculturation from a historical and literary perspective. The Italian part of Herling’s biography and his oeuvre will serve as exemplification of this general problem from a theoretical perspective. In this book, the author paints a picture of Italian literature present not only in Grudziński’s works written in Polish (as this perspective imposes a Polonocentric viewpoint), but also (or, rather: predominantly) in his sketches and articles written in Italian, so far only occasionally referred to in Polish studies; in Polish literary studies, the writer exists virtually exclusively as the creator of texts written in Polish. One should not forget, however, that some of his journalistic and review pieces are written in Italian, and that, at some point, the context of Italian culture turned out to be dominant in his work. |
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