Les théâtres antiques et leurs entrées

The main entrances to the orchestra and tiers in Greek and Roman theatres and odeons were shared by both performers and spectators. Essential to the use of the monuments, they have been largely neglected since, like any passageway, they are defined by a void. No work has been devoted entirely to the...

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Format: Online
Language:French
Published: MOM Éditions 2024
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Online Access:ONIX_20240916_9782356681560_265
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collection Directory of Open Access Books
description The main entrances to the orchestra and tiers in Greek and Roman theatres and odeons were shared by both performers and spectators. Essential to the use of the monuments, they have been largely neglected since, like any passageway, they are defined by a void. No work has been devoted entirely to them. No overview of ancient theatre has included a chapter tracing its history.The present volume attempts to fill this gap by considering the evolution of these accesses from the birth of Greek theatre to the death of Roman theatre, from Portugal to the Near East. It includes seven regional overviews and as many monographic presentations, organized into three geographical areas: the East, Italy and Hispania, Gaul and Germania.These contributions show the essential importance of these passages in the functioning of ancient performance buildings and the regional diversity of their configuration. They call into question the very relevance of the terms “parodos” and “aditus”, highlighting the standards they convey in architectural analysis.
format Online
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institution Directory of Open Access Books
language fre
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher MOM Éditions
publisherStr MOM Éditions
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spelling doab-20.500.12854ir-1450592024-09-16T09:55:04Z Les théâtres antiques et leurs entrées Fellague, Djamila Moretti, Jean-Charles Greek architecture Roman architecture access artist spectator theatre thema EDItEUR::A The Arts::AM Architecture thema EDItEUR::N History and Archaeology::NH History::NHC Ancient history thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDA European history: the Romans The main entrances to the orchestra and tiers in Greek and Roman theatres and odeons were shared by both performers and spectators. Essential to the use of the monuments, they have been largely neglected since, like any passageway, they are defined by a void. No work has been devoted entirely to them. No overview of ancient theatre has included a chapter tracing its history.The present volume attempts to fill this gap by considering the evolution of these accesses from the birth of Greek theatre to the death of Roman theatre, from Portugal to the Near East. It includes seven regional overviews and as many monographic presentations, organized into three geographical areas: the East, Italy and Hispania, Gaul and Germania.These contributions show the essential importance of these passages in the functioning of ancient performance buildings and the regional diversity of their configuration. They call into question the very relevance of the terms “parodos” and “aditus”, highlighting the standards they convey in architectural analysis. 2024-09-16T09:54:58Z 2024-09-16T09:54:58Z 2024 book ONIX_20240916_9782356681560_265 2966-5957 9782356681560 9782356680853 https://directory.doabooks.org/handle/20.500.12854/145059 fre Archéologie(s) image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.7switch.com/fr/ebook/9782356681560/from/openedition https://books.openedition.org/momeditions/18666 MOM Éditions 10.4000/11qs2 The main entrances to the orchestra and tiers in Greek and Roman theatres and odeons were shared by both performers and spectators. Essential to the use of the monuments, they have been largely neglected since, like any passageway, they are defined by a void. No work has been devoted entirely to them. No overview of ancient theatre has included a chapter tracing its history.The present volume attempts to fill this gap by considering the evolution of these accesses from the birth of Greek theatre to the death of Roman theatre, from Portugal to the Near East. It includes seven regional overviews and as many monographic presentations, organized into three geographical areas: the East, Italy and Hispania, Gaul and Germania.These contributions show the essential importance of these passages in the functioning of ancient performance buildings and the regional diversity of their configuration. They call into question the very relevance of the terms “parodos” and “aditus”, highlighting the standards they convey in architectural analysis. 10.4000/11qs2 d32fff78-4d78-4f11-8b02-edde8954196a 9782356681560 9782356680853 379 Lyon open access
spellingShingle Greek architecture
Roman architecture
access
artist
spectator
theatre
thema EDItEUR::A The Arts::AM Architecture
thema EDItEUR::N History and Archaeology::NH History::NHC Ancient history
thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDA European history: the Romans
Les théâtres antiques et leurs entrées
title Les théâtres antiques et leurs entrées
title_full Les théâtres antiques et leurs entrées
title_fullStr Les théâtres antiques et leurs entrées
title_full_unstemmed Les théâtres antiques et leurs entrées
title_short Les théâtres antiques et leurs entrées
title_sort les theatres antiques et leurs entrees
topic Greek architecture
Roman architecture
access
artist
spectator
theatre
thema EDItEUR::A The Arts::AM Architecture
thema EDItEUR::N History and Archaeology::NH History::NHC Ancient history
thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDA European history: the Romans
topic_facet Greek architecture
Roman architecture
access
artist
spectator
theatre
thema EDItEUR::A The Arts::AM Architecture
thema EDItEUR::N History and Archaeology::NH History::NHC Ancient history
thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDA European history: the Romans
url ONIX_20240916_9782356681560_265