Emily Dickinson du côté de Shakespeare

Emily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Chevrier-Bosseau, Adeline
स्वरूप: Online
भाषा:फ़्रेंच
प्रकाशित: Presses universitaires Blaise-Pascal 2024
विषय:
ऑनलाइन पहुंच:ONIX_20240916_9782383770329_304
टैग: टैग जोड़ें
कोई टैग नहीं, इस रिकॉर्ड को टैग करने वाले पहले व्यक्ति बनें!
_version_ 1869526400363397120
author Chevrier-Bosseau, Adeline
author_browse Chevrier-Bosseau, Adeline
author_facet Chevrier-Bosseau, Adeline
author_sort Chevrier-Bosseau, Adeline
collection Directory of Open Access Books
description Emily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most theatrical. The fact that the Elizabethan playwright and poet’s idiosyncratic theater was the main reference for Dickinson’s conception of drama and theatricality invites us to broaden our conception of lyricism. Although some recurrences of a more traditional approach to lyricism as an outpouring of intimate feelings appear at times – mostly tainted with a great deal of irony – lyricism will mainly be considered as the energy fueling life into the poem. The theater is for Emily Dickinson the spring of this lyrical energy, the transformative force and the crucial structure at the heart of her poetic writing.
format Online
id doab-20.500.12854ir-145098
institution Directory of Open Access Books
language fre
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher Presses universitaires Blaise-Pascal
publisherStr Presses universitaires Blaise-Pascal
record_format ojs
spelling doab-20.500.12854ir-1450982024-09-16T09:57:13Z Emily Dickinson du côté de Shakespeare Chevrier-Bosseau, Adeline Shakespeare lyricism Dickinson (Emily) drama United States 19th century thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Emily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most theatrical. The fact that the Elizabethan playwright and poet’s idiosyncratic theater was the main reference for Dickinson’s conception of drama and theatricality invites us to broaden our conception of lyricism. Although some recurrences of a more traditional approach to lyricism as an outpouring of intimate feelings appear at times – mostly tainted with a great deal of irony – lyricism will mainly be considered as the energy fueling life into the poem. The theater is for Emily Dickinson the spring of this lyrical energy, the transformative force and the crucial structure at the heart of her poetic writing. 2024-09-16T09:57:10Z 2024-09-16T09:57:10Z 2020 book ONIX_20240916_9782383770329_304 2805-0622 9782383770329 9782845169319 https://directory.doabooks.org/handle/20.500.12854/145098 fre Littératures image/jpeg n/a https://books.openedition.org/pubp/1938 Presses universitaires Blaise-Pascal 10.4000/books.pubp.1938 Emily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most theatrical. The fact that the Elizabethan playwright and poet’s idiosyncratic theater was the main reference for Dickinson’s conception of drama and theatricality invites us to broaden our conception of lyricism. Although some recurrences of a more traditional approach to lyricism as an outpouring of intimate feelings appear at times – mostly tainted with a great deal of irony – lyricism will mainly be considered as the energy fueling life into the poem. The theater is for Emily Dickinson the spring of this lyrical energy, the transformative force and the crucial structure at the heart of her poetic writing. 10.4000/books.pubp.1938 8df4cd3e-8f79-4798-ab8f-81820072c0e1 9782383770329 9782845169319 392 Clermont-Ferrand open access
spellingShingle Shakespeare
lyricism
Dickinson (Emily)
drama
United States
19th century
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
Chevrier-Bosseau, Adeline
Emily Dickinson du côté de Shakespeare
title Emily Dickinson du côté de Shakespeare
title_full Emily Dickinson du côté de Shakespeare
title_fullStr Emily Dickinson du côté de Shakespeare
title_full_unstemmed Emily Dickinson du côté de Shakespeare
title_short Emily Dickinson du côté de Shakespeare
title_sort emily dickinson du cote de shakespeare
topic Shakespeare
lyricism
Dickinson (Emily)
drama
United States
19th century
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
topic_facet Shakespeare
lyricism
Dickinson (Emily)
drama
United States
19th century
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
url ONIX_20240916_9782383770329_304
work_keys_str_mv AT chevrierbosseauadeline emilydickinsonducotedeshakespeare