Impersonality and Emotion in Twentieth-Century British Literature
This volume comes as a sequel to a previous publication, Impersonality and Emotion in Twentieth-Century British Literature, which explored the paradoxical connections between impersonality and emotion, two notions central to modernist as well as to later British literature. Through the double prism...
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| Format: | Online |
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| Sprache: | Englisch |
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Presses universitaires de la Méditerranée
2024
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| Online-Zugang: | ONIX_20240916_9782367814117_376 |
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| description | This volume comes as a sequel to a previous publication, Impersonality and Emotion in Twentieth-Century British Literature, which explored the paradoxical connections between impersonality and emotion, two notions central to modernist as well as to later British literature. Through the double prism of impersonality and emotion, the first set of articles presented here bring to light if not the tenets of Modernism, at least some of the aesthetic principles of representative artists of the time and, from Beardsley to Hitchcock through Windham Lewis, Gaudier Brzeska and Epstein, browses through various forms like drawing, architecture, film and the radio play. The second half of he volume concentrates on the post-war period, addressing the vexed question of the relationships between impersonality and emotion in film (Antonioni), drama (Bond), photography (Brandt, Almond), painting (School of London), architecture, and other types of contemporary manifestations and installations practiced by the Young British Artists and their contemporaries (Hirst, Taylor-Wood, Floyer, Whiteread, Opie among others). The twenty two articles in this collection unearth lines of force that run all the way from romanticism to postmodernism. While stressing the unexpected perenniality of the impersonal, they give the lie to Fredric Jameson’s famous vision of contemporary literature as characterised by a ‘waning of affect'. |
| format | Online |
| id | doab-20.500.12854ir-145170 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Presses universitaires de la Méditerranée |
| publisherStr | Presses universitaires de la Méditerranée |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1451702024-09-16T10:01:18Z Impersonality and Emotion in Twentieth-Century British Literature Ganteau, Jean-Michel Reynier, Christine literature emotion British literature impersonality thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism This volume comes as a sequel to a previous publication, Impersonality and Emotion in Twentieth-Century British Literature, which explored the paradoxical connections between impersonality and emotion, two notions central to modernist as well as to later British literature. Through the double prism of impersonality and emotion, the first set of articles presented here bring to light if not the tenets of Modernism, at least some of the aesthetic principles of representative artists of the time and, from Beardsley to Hitchcock through Windham Lewis, Gaudier Brzeska and Epstein, browses through various forms like drawing, architecture, film and the radio play. The second half of he volume concentrates on the post-war period, addressing the vexed question of the relationships between impersonality and emotion in film (Antonioni), drama (Bond), photography (Brandt, Almond), painting (School of London), architecture, and other types of contemporary manifestations and installations practiced by the Young British Artists and their contemporaries (Hirst, Taylor-Wood, Floyer, Whiteread, Opie among others). The twenty two articles in this collection unearth lines of force that run all the way from romanticism to postmodernism. While stressing the unexpected perenniality of the impersonal, they give the lie to Fredric Jameson’s famous vision of contemporary literature as characterised by a ‘waning of affect'. 2024-09-16T10:01:15Z 2024-09-16T10:01:15Z 2005 book ONIX_20240916_9782367814117_376 9782367814117 9782842696658 https://directory.doabooks.org/handle/20.500.12854/145170 eng Horizons anglophones image/png n/a https://www.7switch.com/fr/ebook/9782367814117/from/openedition https://books.openedition.org/pulm/14965 Presses universitaires de la Méditerranée 10.4000/books.pulm.14965 10.4000/books.pulm.14965 17962280-e27b-4c2a-810d-e0321925cbfc 9782367814117 9782842696658 316 Montpellier open access |
| spellingShingle | literature emotion British literature impersonality thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Impersonality and Emotion in Twentieth-Century British Literature |
| title | Impersonality and Emotion in Twentieth-Century British Literature |
| title_full | Impersonality and Emotion in Twentieth-Century British Literature |
| title_fullStr | Impersonality and Emotion in Twentieth-Century British Literature |
| title_full_unstemmed | Impersonality and Emotion in Twentieth-Century British Literature |
| title_short | Impersonality and Emotion in Twentieth-Century British Literature |
| title_sort | impersonality and emotion in twentieth century british literature |
| topic | literature emotion British literature impersonality thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| topic_facet | literature emotion British literature impersonality thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| url | ONIX_20240916_9782367814117_376 |