boy says

Where does your voice come from? The one you speak with, or the one you read with? What does it sound like when you read, silently, to yourself? There are the first influences, or at least the ones that first come to mind. But you quickly admit that there are others as well. The voices that emerged...

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Autor principal: Ponce, Néstor
Formato: Online
Idioma:inglês
espanhol
Publicado em: Punctum Books 2024
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Acesso em linha:https://library.oapen.org/handle/20.500.12657/93620
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author Ponce, Néstor
author_browse Ponce, Néstor
author_facet Ponce, Néstor
author_sort Ponce, Néstor
collection Directory of Open Access Books
description Where does your voice come from? The one you speak with, or the one you read with? What does it sound like when you read, silently, to yourself? There are the first influences, or at least the ones that first come to mind. But you quickly admit that there are others as well. The voices that emerged from different styles, tones, and patterns in books, stories, poems. From songs and television programs, family members and teachers. There are the voices that you don’t remember as voices, the words you don’t remember reading. This voice, this combination of symbols describing a translated book of poetry, for example, might be acknowledged as the very latest influence in your life. After leaving Argentina in exile during the dictatorship of the military junta (1976-1983), Néstor Ponce found his way to France, where he now lives. He has written that throughout his life, reading has connected him to a shifting, unstable set of voices—a community of readers and writers that crisscrosses borders of all kinds, unafraid of conflict and contradiction. boy says (a book with no ending) opens to that community with poems that are at once the words of one poet and the traces of an infinite number of poets, some of whom are explicitly named in the titles of the poems. This bilingual English–Spanish edition is an open library that is also a private one, made public. As you read, it might be difficult not to ask questions about Nazim Hikmet, Alejandra Pizarnik, Dina Posada, Eugenio Montale, Anna Greki, or Édouard Glissant. And it will be impossible to answer those questions without finding their books, opening them, and hearing your voice shaped by their and Ponce’s words.
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language eng
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publisher Punctum Books
publisherStr Punctum Books
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spelling doab-20.500.12854ir-1459982024-09-27T04:20:22Z boy says Ponce, Néstor Ubelaker Andrade, Max (0009-0003-6199-3149) poetry;Argentina;literary influence;authorship;literary community;open library;poetic voice;literary identity thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCC Modern and contemporary poetry (c 1900 onwards) Where does your voice come from? The one you speak with, or the one you read with? What does it sound like when you read, silently, to yourself? There are the first influences, or at least the ones that first come to mind. But you quickly admit that there are others as well. The voices that emerged from different styles, tones, and patterns in books, stories, poems. From songs and television programs, family members and teachers. There are the voices that you don’t remember as voices, the words you don’t remember reading. This voice, this combination of symbols describing a translated book of poetry, for example, might be acknowledged as the very latest influence in your life. After leaving Argentina in exile during the dictatorship of the military junta (1976-1983), Néstor Ponce found his way to France, where he now lives. He has written that throughout his life, reading has connected him to a shifting, unstable set of voices—a community of readers and writers that crisscrosses borders of all kinds, unafraid of conflict and contradiction. boy says (a book with no ending) opens to that community with poems that are at once the words of one poet and the traces of an infinite number of poets, some of whom are explicitly named in the titles of the poems. This bilingual English–Spanish edition is an open library that is also a private one, made public. As you read, it might be difficult not to ask questions about Nazim Hikmet, Alejandra Pizarnik, Dina Posada, Eugenio Montale, Anna Greki, or Édouard Glissant. And it will be impossible to answer those questions without finding their books, opening them, and hearing your voice shaped by their and Ponce’s words. 2024-09-27T04:20:21Z 2024-09-27T04:20:21Z 2024-09-26T09:11:18Z 2024 book https://library.oapen.org/handle/20.500.12657/93620 9781685712501 https://directory.doabooks.org/handle/20.500.12854/145998 eng spa open access image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/93620/1/0528.1.00.pdf Punctum Books Uitgeverij 10.53288/0528.1.00 10.53288/0528.1.00 9528137b-bd0f-4bee-8262-f1c8096922a3 9781685712501 Uitgeverij 125 Brooklyn, NY open access
spellingShingle poetry;Argentina;literary influence;authorship;literary community;open library;poetic voice;literary identity
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCC Modern and contemporary poetry (c 1900 onwards)
Ponce, Néstor
boy says
title boy says
title_full boy says
title_fullStr boy says
title_full_unstemmed boy says
title_short boy says
title_sort boy says
topic poetry;Argentina;literary influence;authorship;literary community;open library;poetic voice;literary identity
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCC Modern and contemporary poetry (c 1900 onwards)
topic_facet poetry;Argentina;literary influence;authorship;literary community;open library;poetic voice;literary identity
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCC Modern and contemporary poetry (c 1900 onwards)
url https://library.oapen.org/handle/20.500.12657/93620
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