Traversées. Limites, cheminements et créations en épigraphie
Traversées is a hybrid publication aiming at merging a traditional collected volume and a catalog of exhibition. It bears witness to an experience of encounter between science and contemporary art, based on ancient inscriptions and epigraphy, their historical discipline. This publication tries to ac...
I tiakina i:
| Hōputu: | Online |
|---|---|
| Reo: | Wīwī Pāniora Ingarihi |
| I whakaputaina: |
Presses Universitaires de Pau et des Pays de l'Adour
2024
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| Ngā marau: | |
| Urunga tuihono: | ONIX_20240927_2353111589_23 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| _version_ | 1869530241215496192 |
|---|---|
| collection | Directory of Open Access Books |
| description | Traversées is a hybrid publication aiming at merging a traditional collected volume and a catalog of exhibition. It bears witness to an experience of encounter between science and contemporary art, based on ancient inscriptions and epigraphy, their historical discipline. This publication tries to acknowledge the course of this scientific the adventure, from the issues raised by the documentation as part of a research program in Late Antique and Medieval epigraphy, to the confluence of historical and artistic explorations during the exhibition Sendas Epigráficas. Studied by scholars for its chronological, material, and alphabetical margins, the inscription frees itself from the weight of history and becomes a source of inspiration for artists. Gathered as a single volume, scientific papers, catalogue entries, critical reception of the exhibition and general thoughts show the relevance of connecting artistic and historic practices to rethink inscription and its definitions. This original editorial project in forms and contents states the links between artworks and sources, from artistic to historical gestures, in harmony, by varying the itineraries and glances. The publication thus seeks to create a living image of the creative process while opening up fresh looks at the inscription. Eventually, Traversées considers the possibility of indiscipline as a modality for knowledge. |
| format | Online |
| id | doab-20.500.12854ir-146026 |
| institution | Directory of Open Access Books |
| language | fre spa eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Presses Universitaires de Pau et des Pays de l'Adour |
| publisherStr | Presses Universitaires de Pau et des Pays de l'Adour |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1460262024-09-27T09:26:17Z Traversées. Limites, cheminements et créations en épigraphie Debiais, Vincent Uberti, Morgane France Occident epigraphy art history history graphic practices Middle Ages Late Antiquity Protohistory fragmentary languages writing sign epitaph work auxiliary sciences epistemology contemporary art creation anthropology of creation anthropology of writing exhibition curatorship engraving plastic arts mosaic sigillography seals numismatics art criticism poetry music Latin literature medieval literature theology liturgy writing culture visual culture video graffiti Italy Iberian Peninsula thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts thema EDItEUR::N History and Archaeology::NK Archaeology thema EDItEUR::N History and Archaeology Traversées is a hybrid publication aiming at merging a traditional collected volume and a catalog of exhibition. It bears witness to an experience of encounter between science and contemporary art, based on ancient inscriptions and epigraphy, their historical discipline. This publication tries to acknowledge the course of this scientific the adventure, from the issues raised by the documentation as part of a research program in Late Antique and Medieval epigraphy, to the confluence of historical and artistic explorations during the exhibition Sendas Epigráficas. Studied by scholars for its chronological, material, and alphabetical margins, the inscription frees itself from the weight of history and becomes a source of inspiration for artists. Gathered as a single volume, scientific papers, catalogue entries, critical reception of the exhibition and general thoughts show the relevance of connecting artistic and historic practices to rethink inscription and its definitions. This original editorial project in forms and contents states the links between artworks and sources, from artistic to historical gestures, in harmony, by varying the itineraries and glances. The publication thus seeks to create a living image of the creative process while opening up fresh looks at the inscription. Eventually, Traversées considers the possibility of indiscipline as a modality for knowledge. 2024-09-27T09:26:15Z 2024-09-27T09:26:15Z 2024 book ONIX_20240927_2353111589_23 28271963 2353111589 2353111599 https://directory.doabooks.org/handle/20.500.12854/146026 fre spa eng B@lades image/png Attribution-ShareAlike 4.0 International https://una-editions.fr/traversees/ https://ressources.una-editions.fr/s/gCHkGkr9tk9LbLX Presses Universitaires de Pau et des Pays de l'Adour Presses Universitaires de Pau et des pays de l'Adour Pôle Production Imprimé, Université Bordeaux Montaigne 10.46608/balades3.9782353111589 Traversées is a hybrid publication aiming at merging a traditional collected volume and a catalog of exhibition. It bears witness to an experience of encounter between science and contemporary art, based on ancient inscriptions and epigraphy, their historical discipline. This publication tries to acknowledge the course of this scientific the adventure, from the issues raised by the documentation as part of a research program in Late Antique and Medieval epigraphy, to the confluence of historical and artistic explorations during the exhibition Sendas Epigráficas. Studied by scholars for its chronological, material, and alphabetical margins, the inscription frees itself from the weight of history and becomes a source of inspiration for artists. Gathered as a single volume, scientific papers, catalogue entries, critical reception of the exhibition and general thoughts show the relevance of connecting artistic and historic practices to rethink inscription and its definitions. This original editorial project in forms and contents states the links between artworks and sources, from artistic to historical gestures, in harmony, by varying the itineraries and glances. The publication thus seeks to create a living image of the creative process while opening up fresh looks at the inscription. Eventually, Traversées considers the possibility of indiscipline as a modality for knowledge. 10.46608/balades3.9782353111589 e7e9fc49-1df6-4388-b470-1947f513e4ab 76fc7177-77e2-4250-babf-33a8364c1ba6 2353111589 2353111599 Pôle Production Imprimé, Université Bordeaux Montaigne 3 310 Pau open access |
| spellingShingle | France Occident epigraphy art history history graphic practices Middle Ages Late Antiquity Protohistory fragmentary languages writing sign epitaph work auxiliary sciences epistemology contemporary art creation anthropology of creation anthropology of writing exhibition curatorship engraving plastic arts mosaic sigillography seals numismatics art criticism poetry music Latin literature medieval literature theology liturgy writing culture visual culture video graffiti Italy Iberian Peninsula thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts thema EDItEUR::N History and Archaeology::NK Archaeology thema EDItEUR::N History and Archaeology Traversées. Limites, cheminements et créations en épigraphie |
| title | Traversées. Limites, cheminements et créations en épigraphie |
| title_full | Traversées. Limites, cheminements et créations en épigraphie |
| title_fullStr | Traversées. Limites, cheminements et créations en épigraphie |
| title_full_unstemmed | Traversées. Limites, cheminements et créations en épigraphie |
| title_short | Traversées. Limites, cheminements et créations en épigraphie |
| title_sort | traversees limites cheminements et creations en epigraphie |
| topic | France Occident epigraphy art history history graphic practices Middle Ages Late Antiquity Protohistory fragmentary languages writing sign epitaph work auxiliary sciences epistemology contemporary art creation anthropology of creation anthropology of writing exhibition curatorship engraving plastic arts mosaic sigillography seals numismatics art criticism poetry music Latin literature medieval literature theology liturgy writing culture visual culture video graffiti Italy Iberian Peninsula thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts thema EDItEUR::N History and Archaeology::NK Archaeology thema EDItEUR::N History and Archaeology |
| topic_facet | France Occident epigraphy art history history graphic practices Middle Ages Late Antiquity Protohistory fragmentary languages writing sign epitaph work auxiliary sciences epistemology contemporary art creation anthropology of creation anthropology of writing exhibition curatorship engraving plastic arts mosaic sigillography seals numismatics art criticism poetry music Latin literature medieval literature theology liturgy writing culture visual culture video graffiti Italy Iberian Peninsula thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts thema EDItEUR::N History and Archaeology::NK Archaeology thema EDItEUR::N History and Archaeology |
| url | ONIX_20240927_2353111589_23 |