Aaron Copland in Latin America

Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the compo...

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Autore principale: Hess, Carol A.
Natura: Online
Lingua:inglese
Pubblicazione: University of Illinois Press 2024
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Accesso online:ONIX_20241025_9780252054006_160
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author Hess, Carol A.
author_browse Hess, Carol A.
author_facet Hess, Carol A.
author_sort Hess, Carol A.
collection Directory of Open Access Books
description Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
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spelling doab-20.500.12854ir-1466182024-10-25T11:04:25Z Aaron Copland in Latin America Hess, Carol A. Music / History & Criticism thema EDItEUR::A The Arts::AV Music Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics. 2024-10-25T11:04:22Z 2024-10-25T11:04:22Z 2024 book ONIX_20241025_9780252054006_160 9780252054006 https://directory.doabooks.org/handle/20.500.12854/146618 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/109452 University of Illinois Press 8c222c2b-fc7a-4b3c-8751-e700b64588c9 9780252054006 open access
spellingShingle Music / History & Criticism
thema EDItEUR::A The Arts::AV Music
Hess, Carol A.
Aaron Copland in Latin America
title Aaron Copland in Latin America
title_full Aaron Copland in Latin America
title_fullStr Aaron Copland in Latin America
title_full_unstemmed Aaron Copland in Latin America
title_short Aaron Copland in Latin America
title_sort aaron copland in latin america
topic Music / History & Criticism
thema EDItEUR::A The Arts::AV Music
topic_facet Music / History & Criticism
thema EDItEUR::A The Arts::AV Music
url ONIX_20241025_9780252054006_160
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