Beyond the Creative Species

A multidisciplinary introduction to the field of computational creativity, analyzing the impact of advanced generative technologies on art and music.As algorithms get smarter, what role will computers play in the creation of music, art, and other cultural artifacts? Will they be able to create such...

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Main Author: Bown, Oliver
Format: Online
Language:English
Published: The MIT Press 2024
Subjects:
Online Access:ONIX_20241025_9780262361750_21
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author Bown, Oliver
author_browse Bown, Oliver
author_facet Bown, Oliver
author_sort Bown, Oliver
collection Directory of Open Access Books
description A multidisciplinary introduction to the field of computational creativity, analyzing the impact of advanced generative technologies on art and music.As algorithms get smarter, what role will computers play in the creation of music, art, and other cultural artifacts? Will they be able to create such things from the ground up, and will such creations be meaningful? In Beyond the Creative Species, Oliver Bown offers a multidisciplinary examination of computational creativity, analyzing the impact of advanced generative technologies on art and music. Drawing on a wide range of disciplines, including artificial intelligence and machine learning, design, social theory, the psychology of creativity, and creative practice research, Bown argues that to understand computational creativity, we must not only consider what computationally creative algorithms actually do, but also examine creative artistic activity itself.After describing the state of the art in computational creativity—including past and present cycles of hype—Bown examines the psychology of creativity and how it may be amenable to algorithmic automation. He considers human creativity as a social phenomenon that depends on such factors as position within a social network and group identity. He reviews the existing algorithms for the production of computer-generated content, examines issues of interaction design, and explores paradigms of computational creativity; considers the evaluation of computationally creative systems, addressing the difference between the analysis of systems as creative agents and as creativity support tools; and, looking to the future, discusses the social implications of the consumption and experience of generated art and music.
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spelling doab-20.500.12854ir-1466432024-10-25T13:14:14Z Beyond the Creative Species Bown, Oliver generative computational creativity algorithmic automation thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMB Algorithms and data structures A multidisciplinary introduction to the field of computational creativity, analyzing the impact of advanced generative technologies on art and music.As algorithms get smarter, what role will computers play in the creation of music, art, and other cultural artifacts? Will they be able to create such things from the ground up, and will such creations be meaningful? In Beyond the Creative Species, Oliver Bown offers a multidisciplinary examination of computational creativity, analyzing the impact of advanced generative technologies on art and music. Drawing on a wide range of disciplines, including artificial intelligence and machine learning, design, social theory, the psychology of creativity, and creative practice research, Bown argues that to understand computational creativity, we must not only consider what computationally creative algorithms actually do, but also examine creative artistic activity itself.After describing the state of the art in computational creativity—including past and present cycles of hype—Bown examines the psychology of creativity and how it may be amenable to algorithmic automation. He considers human creativity as a social phenomenon that depends on such factors as position within a social network and group identity. He reviews the existing algorithms for the production of computer-generated content, examines issues of interaction design, and explores paradigms of computational creativity; considers the evaluation of computationally creative systems, addressing the difference between the analysis of systems as creative agents and as creativity support tools; and, looking to the future, discusses the social implications of the consumption and experience of generated art and music. 2024-10-25T13:14:10Z 2024-10-25T13:14:10Z 2021 book ONIX_20241025_9780262361750_21 9780262361750 9780262045018 https://directory.doabooks.org/handle/20.500.12854/146643 eng The MIT Press image/jpeg n/a https://doi.org/10.7551/mitpress/10913.001.0001 The MIT Press The MIT Press 10.7551/mitpress/10913.001.0001 10.7551/mitpress/10913.001.0001 ae0cf962-f685-4933-93d1-916defa5123d 9780262361750 9780262045018 The MIT Press 416 Cambridge open access
spellingShingle generative
computational creativity
algorithmic automation
thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMB Algorithms and data structures
Bown, Oliver
Beyond the Creative Species
title Beyond the Creative Species
title_full Beyond the Creative Species
title_fullStr Beyond the Creative Species
title_full_unstemmed Beyond the Creative Species
title_short Beyond the Creative Species
title_sort beyond the creative species
topic generative
computational creativity
algorithmic automation
thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMB Algorithms and data structures
topic_facet generative
computational creativity
algorithmic automation
thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMB Algorithms and data structures
url ONIX_20241025_9780262361750_21
work_keys_str_mv AT bownoliver beyondthecreativespecies