Figuren der Endlichkeit in der Europäischen Romantik

The volume examines figures of finitude in European Romanticism. The starting point is the observation that figures of the last - last people (J.-B Grainville: Le dernier homme (1805); M. Shelley: The Last Man (1826)), last things (I. Kant: The end of all things ( 1794) - articulate a specific aware...

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collection Directory of Open Access Books
description The volume examines figures of finitude in European Romanticism. The starting point is the observation that figures of the last - last people (J.-B Grainville: Le dernier homme (1805); M. Shelley: The Last Man (1826)), last things (I. Kant: The end of all things ( 1794) - articulate a specific awareness of finiteness in Romanticism. The emerging Romantic reflection of finiteness, which develops synchronously with contemporary discourses about the limitations of resources, represents the beginning of a genuinely modern experience. The temporalization is around 1800, according to the Basic thesis, primarily negotiated and reflected on poetological and philosophical figures of finitude, the ultimate and the consumable, in that the volume, for example, shows the fragment, the ruin or the “monuments of old times” (F. Schiller) as figurations of a reflection of finiteness He takes the view, sharpens it and complements classic elements of the epoch construction of Romanticism, which has so far been primarily associated with concepts such as delimitation, potentiation and infinity or with a focus on the present, now and the moment.
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publishDate 2024
publishDateRange 2024
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publisherStr De Gruyter
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spelling doab-20.500.12854ir-1475902025-07-29T18:37:25Z Figuren der Endlichkeit in der Europäischen Romantik Christoph Heller, Jakob Martin, Erik Schönbeck, Sebastian Apocalypse Finiteness thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::N History and Archaeology::NH History::NHD European history The volume examines figures of finitude in European Romanticism. The starting point is the observation that figures of the last - last people (J.-B Grainville: Le dernier homme (1805); M. Shelley: The Last Man (1826)), last things (I. Kant: The end of all things ( 1794) - articulate a specific awareness of finiteness in Romanticism. The emerging Romantic reflection of finiteness, which develops synchronously with contemporary discourses about the limitations of resources, represents the beginning of a genuinely modern experience. The temporalization is around 1800, according to the Basic thesis, primarily negotiated and reflected on poetological and philosophical figures of finitude, the ultimate and the consumable, in that the volume, for example, shows the fragment, the ruin or the “monuments of old times” (F. Schiller) as figurations of a reflection of finiteness He takes the view, sharpens it and complements classic elements of the epoch construction of Romanticism, which has so far been primarily associated with concepts such as delimitation, potentiation and infinity or with a focus on the present, now and the moment. 2024-11-07T04:19:57Z 2024-11-07T04:19:57Z 2024-11-06T10:38:11Z 2024 book ONIX_20241106_9783111426129_45 1860-210X https://library.oapen.org/handle/20.500.12657/94315 9783111426129 9783111423982 9783111426495 https://directory.doabooks.org/handle/20.500.12854/147590 ger spectrum Literaturwissenschaft / spectrum Literature open access image/png image/jpeg image/jpeg n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/94315/1/9783111426129.pdf https://library.oapen.org/bitstream/20.500.12657/94315/1/9783111426129.pdf https://library.oapen.org/bitstream/20.500.12657/94315/1/9783111426129.pdf De Gruyter De Gruyter 10.1515/978311142612 10.1515/978311142612 af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 Martin-Luther-Universität Halle-Wittenberg Universität Bielefeld Deutsche Forschungsgemeinschaft (DFG) 9f1a0400-11a0-4a34-884b-faeca4e832dc 9205ce14-724e-4a85-a419-56de0143036a 631ac483-8bae-460f-9987-c3f4e4b98bb5 9783111426129 9783111423982 9783111426495 DFG - German Research Foundation De Gruyter 319 Berlin/Boston [...] [...] [...] open access
spellingShingle Apocalypse
Finiteness
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
Figuren der Endlichkeit in der Europäischen Romantik
title Figuren der Endlichkeit in der Europäischen Romantik
title_full Figuren der Endlichkeit in der Europäischen Romantik
title_fullStr Figuren der Endlichkeit in der Europäischen Romantik
title_full_unstemmed Figuren der Endlichkeit in der Europäischen Romantik
title_short Figuren der Endlichkeit in der Europäischen Romantik
title_sort figuren der endlichkeit in der europaischen romantik
topic Apocalypse
Finiteness
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
topic_facet Apocalypse
Finiteness
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
thema EDItEUR::N History and Archaeology::NH History::NHD European history
url ONIX_20241106_9783111426129_45