Imaxe de Portada

Verse Form and Meaning in the Poetry of Vladimir Maiakovskii

Maiakovskii himself said that a rhythmical 'rumble' was the basis of his verse, and demonstrated the actual generation of his verse from the bare rhythmical gul through intermediate versions to its final verbal form. In this study Aizlewood examines the role played by meter in Maiakovskii's first ma...

Descrición completa

Gardado en:
Autor Principal: Aizlewood, Robin
Formato: Online
Idioma:inglés
Publicado: Modern Humanities Research Association 2024
Subjects:
Drama
Women Authors
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSV Vatican
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
Acceso en liña:ONIX_20241115_9781839546631_27
Tags: Engadir etiqueta
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
Summary:Maiakovskii himself said that a rhythmical 'rumble' was the basis of his verse, and demonstrated the actual generation of his verse from the bare rhythmical gul through intermediate versions to its final verbal form. In this study Aizlewood examines the role played by meter in Maiakovskii's first major work Vladimir Maiakovskii. Tragediaa, and in five main love poems. These works can be interpreted as a composite whole, a single text in effect: the Tragedy serves as an introduction to an exploration in five parts of the theme of love. This book, originally published in paperback in 1989 under the ISBN 978-0-947623-22-7, was made Open Access in 2024 as part of the MHRA Revivals programme.

Títulos similares