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Bertolt Brecht's Adaptations for the Berliner Ensemble

It is wrong to see Brecht as the gratuitous literary firebrand and revolutionary iconoclast of the popular image; a feature of his work, from the first to the last plays and theoretical writings, is his concern with a literary tradition; many of his own dramas are stimulated by existing models or ar...

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Autore principale: Subiotto, Arrigo
Natura: Online
Lingua:inglese
Pubblicazione: Modern Humanities Research Association 2024
Soggetti:
Drama
Women Authors
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
thema EDItEUR::1 Place qualifiers::1D Europe::1DF Central Europe::1DFG Germany
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
Accesso online:ONIX_20241115_9781839546457_9
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Riassunto:It is wrong to see Brecht as the gratuitous literary firebrand and revolutionary iconoclast of the popular image; a feature of his work, from the first to the last plays and theoretical writings, is his concern with a literary tradition; many of his own dramas are stimulated by existing models or are counterpoints to them. Brecht's quarrel is seldom with his literary ancestors, but he does not spare his scorn for the traditional ways of performing the classics and makes virulent attacks on the misappropriation of past drama by society. This book, originally published in paperback in 1975 under the ISBN 978-0-900547-37-9, was made Open Access in 2024 as part of the MHRA Revivals programme.

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