Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle

This study has two main aims. The first is to inform about approaches to painting among the poets and critics who, during the years 1885-95, were associated with the French Symbolist movement. The second is to examine the relevance of the work of certain painters to the poetic theory and practice of...

ver descrição completa

Na minha lista:
Detalhes bibliográficos
Autor principal: Kearns, James
Formato: Online
Idioma:inglês
Publicado em: Modern Humanities Research Association 2024
Assuntos:
Acesso em linha:ONIX_20241115_9781839546648_28
Tags: Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
_version_ 1869517180243017728
author Kearns, James
author_browse Kearns, James
author_facet Kearns, James
author_sort Kearns, James
collection Directory of Open Access Books
description This study has two main aims. The first is to inform about approaches to painting among the poets and critics who, during the years 1885-95, were associated with the French Symbolist movement. The second is to examine the relevance of the work of certain painters to the poetic theory and practice of Mallarmé, Kahn, and Jarry. The first aim may be called synchronic, for its focus is Albert Aurier's 1891 definition of Symbolism in painting, the needs to which it responded and the controversies to which it gave rise. But the second may be called diachronic, for the poetry and criticism of these poets are produced at three distinct moments in the movement's history: Mallarmé's break with the Parnassians in 1875; Kahn's involvement in the emerging Symbolism of 1886; and Jarry's deconstruction of Symbolist theories in 1894. This book, originally published in paperback in 1989 under the ISBN 978-0-947623-23-4, was made Open Access in 2024 as part of the MHRA Revivals programme.
format Online
id doab-20.500.12854ir-147947
institution Directory of Open Access Books
language eng
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher Modern Humanities Research Association
publisherStr Modern Humanities Research Association
record_format ojs
spelling doab-20.500.12854ir-1479472025-07-21T15:45:05Z Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle Kearns, James Drama Women Authors thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019 thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019 This study has two main aims. The first is to inform about approaches to painting among the poets and critics who, during the years 1885-95, were associated with the French Symbolist movement. The second is to examine the relevance of the work of certain painters to the poetic theory and practice of Mallarmé, Kahn, and Jarry. The first aim may be called synchronic, for its focus is Albert Aurier's 1891 definition of Symbolism in painting, the needs to which it responded and the controversies to which it gave rise. But the second may be called diachronic, for the poetry and criticism of these poets are produced at three distinct moments in the movement's history: Mallarmé's break with the Parnassians in 1875; Kahn's involvement in the emerging Symbolism of 1886; and Jarry's deconstruction of Symbolist theories in 1894. This book, originally published in paperback in 1989 under the ISBN 978-0-947623-23-4, was made Open Access in 2024 as part of the MHRA Revivals programme. 2024-11-16T05:37:41Z 2024-11-16T05:37:41Z 2024-11-15T10:31:45Z 1989 book ONIX_20241115_9781839546648_28 09570322 https://library.oapen.org/handle/20.500.12657/94710 9781839546648 https://directory.doabooks.org/handle/20.500.12854/147947 eng MHRA Texts and Dissertations open access image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/94710/1/9781839546648.pdf https://library.oapen.org/bitstream/20.500.12657/94710/1/9781839546648.pdf Modern Humanities Research Association Texts and Translations 10.59860/td.b8cfada 10.59860/td.b8cfada 263272ae-2045-451b-ac91-b0037a2fd63a 9781839546648 Texts and Translations 232 Cambridge open access
spellingShingle Drama
Women Authors
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
Kearns, James
Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title_full Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title_fullStr Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title_full_unstemmed Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title_short Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle
title_sort symbolist landscapes the place of painting in the poetry and criticism of mallarme and his circle
topic Drama
Women Authors
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
topic_facet Drama
Women Authors
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBF c 2010 to c 2019
url ONIX_20241115_9781839546648_28
work_keys_str_mv AT kearnsjames symbolistlandscapestheplaceofpaintinginthepoetryandcriticismofmallarmeandhiscircle