De Villoteau à Saint-Saëns

The 19th century is a key period for the study of music in antiquity: it was during this time that fragments of Greek musical notation and theorists’ treatises were (re-)discovered, while excavations in Pompeii and in Egypt brought to light important remains of musical instruments. Some of the first...

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Langue:français
Publié: Institut français d’archéologie orientale 2025
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Accès en ligne:ONIX_20250106_9782724711042_99
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collection Directory of Open Access Books
description The 19th century is a key period for the study of music in antiquity: it was during this time that fragments of Greek musical notation and theorists’ treatises were (re-)discovered, while excavations in Pompeii and in Egypt brought to light important remains of musical instruments. Some of the first syntheses on the history of music were written under the leadership of Belgian, French, English, Italian and German scholars. Composers and artists who were attempting to re-create music in the antique style for theatre and opera, or musical instruments for the plastic arts were inspired by the latest discoveries.The historical context of the 19th century played an important role in these developments: the disciplines of history and musicology were being formed and the reconstructions of forgotten musical instruments were multiplying, but the taste for Orientalism and the Romantic quest for origins had a lasting influence on contemporary perceptions. The aim of this book is to examine the sources used and to understand the methodologies employed at that time. The authors investigate the paradigms of a seminal period for "music archaeology," on which current research is sometimes still dependent.
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publishDateRange 2025
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publisher Institut français d’archéologie orientale
publisherStr Institut français d’archéologie orientale
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spelling doab-20.500.12854ir-1493052025-01-06T17:55:43Z De Villoteau à Saint-Saëns Corbier, Christophe Emerit, Sibylle Vendries, Christophe archaeology music history art 19th century thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music::AVM History of music The 19th century is a key period for the study of music in antiquity: it was during this time that fragments of Greek musical notation and theorists’ treatises were (re-)discovered, while excavations in Pompeii and in Egypt brought to light important remains of musical instruments. Some of the first syntheses on the history of music were written under the leadership of Belgian, French, English, Italian and German scholars. Composers and artists who were attempting to re-create music in the antique style for theatre and opera, or musical instruments for the plastic arts were inspired by the latest discoveries.The historical context of the 19th century played an important role in these developments: the disciplines of history and musicology were being formed and the reconstructions of forgotten musical instruments were multiplying, but the taste for Orientalism and the Romantic quest for origins had a lasting influence on contemporary perceptions. The aim of this book is to examine the sources used and to understand the methodologies employed at that time. The authors investigate the paradigms of a seminal period for "music archaeology," on which current research is sometimes still dependent. 2025-01-06T17:55:42Z 2025-01-06T17:55:42Z 2024 book ONIX_20250106_9782724711042_99 9782724711042 9782724710175 https://directory.doabooks.org/handle/20.500.12854/149305 fre Recherches en archéologie, philologie et histoire image/jpeg n/a https://www.7switch.com/fr/ebook/9782724711042/from/openedition https://books.openedition.org/ifao/10326 Institut français d’archéologie orientale The 19th century is a key period for the study of music in antiquity: it was during this time that fragments of Greek musical notation and theorists’ treatises were (re-)discovered, while excavations in Pompeii and in Egypt brought to light important remains of musical instruments. Some of the first syntheses on the history of music were written under the leadership of Belgian, French, English, Italian and German scholars. Composers and artists who were attempting to re-create music in the antique style for theatre and opera, or musical instruments for the plastic arts were inspired by the latest discoveries.The historical context of the 19th century played an important role in these developments: the disciplines of history and musicology were being formed and the reconstructions of forgotten musical instruments were multiplying, but the taste for Orientalism and the Romantic quest for origins had a lasting influence on contemporary perceptions. The aim of this book is to examine the sources used and to understand the methodologies employed at that time. The authors investigate the paradigms of a seminal period for "music archaeology," on which current research is sometimes still dependent. 765b6d1f-8ef3-40e2-a019-8beda3140f65 9782724711042 9782724710175 394 Le Caire open access
spellingShingle archaeology
music
history
art
19th century
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music::AVM History of music
De Villoteau à Saint-Saëns
title De Villoteau à Saint-Saëns
title_full De Villoteau à Saint-Saëns
title_fullStr De Villoteau à Saint-Saëns
title_full_unstemmed De Villoteau à Saint-Saëns
title_short De Villoteau à Saint-Saëns
title_sort de villoteau a saint saens
topic archaeology
music
history
art
19th century
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music::AVM History of music
topic_facet archaeology
music
history
art
19th century
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AV Music::AVM History of music
url ONIX_20250106_9782724711042_99