Linguaggi dal margine
“Who owns Shakespeare?” is a compelling question when one decides to delve into the relationship between the English author and experiences that share, albeit with considerable mutual differences, the category of marginality. At the centre of the volume are the case studies: Un’isola. Dalla mia fine...
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| Materialtyp: | Online |
| Språk: | italienska |
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Firenze University Press
2025
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| Länkar: | ONIX_20241220_9791221505207_55 |
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| _version_ | 1869527144016642048 |
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| author | MONTORFANO, BEATRICE |
| author_browse | MONTORFANO, BEATRICE |
| author_facet | MONTORFANO, BEATRICE |
| author_sort | MONTORFANO, BEATRICE |
| collection | Directory of Open Access Books |
| description | “Who owns Shakespeare?” is a compelling question when one decides to delve into the relationship between the English author and experiences that share, albeit with considerable mutual differences, the category of marginality. At the centre of the volume are the case studies: Un’isola. Dalla mia finestra si vedono le montagne (2018), a production based on The Tempest and performed by the actors-prisoners of the Vigevano prison, directed by Alessia Gennari; Otello Circus (2018), by the company La Ribalta/Accademia Arte della Diversità, staged with actors with disabilities by director Antonio Viganò; Mal’essere (2017), a rewriting in Campania dialects of Hamlet, conceived and directed by Davide Iodice and produced by the Teatro Stabile di Napoli. |
| format | Online |
| id | doab-20.500.12854ir-150235 |
| institution | Directory of Open Access Books |
| language | ita |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Firenze University Press |
| publisherStr | Firenze University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1502352025-01-22T09:37:33Z Linguaggi dal margine MONTORFANO, BEATRICE Shakespeare theatre Italy translation marginality “Who owns Shakespeare?” is a compelling question when one decides to delve into the relationship between the English author and experiences that share, albeit with considerable mutual differences, the category of marginality. At the centre of the volume are the case studies: Un’isola. Dalla mia finestra si vedono le montagne (2018), a production based on The Tempest and performed by the actors-prisoners of the Vigevano prison, directed by Alessia Gennari; Otello Circus (2018), by the company La Ribalta/Accademia Arte della Diversità, staged with actors with disabilities by director Antonio Viganò; Mal’essere (2017), a rewriting in Campania dialects of Hamlet, conceived and directed by Davide Iodice and produced by the Teatro Stabile di Napoli. 2025-01-22T09:37:31Z 2025-01-22T09:37:31Z 2024-12-20T11:37:43Z 2024 book ONIX_20241220_9791221505207_55 2975-0229 https://library.oapen.org/handle/20.500.12657/96202 9791221505207 9791221505191 9791221505214 9791221505221 https://directory.doabooks.org/handle/20.500.12854/150235 ita Studi di letterature moderne e comparate open access image/jpeg Attribution-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/96202/1/43169.pdf Firenze University Press USiena Press 10.36253/979-12-215-0520-7 10.36253/979-12-215-0520-7 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9791221505207 9791221505191 9791221505214 9791221505221 USiena Press 174 Florence open access |
| spellingShingle | Shakespeare theatre Italy translation marginality MONTORFANO, BEATRICE Linguaggi dal margine |
| title | Linguaggi dal margine |
| title_full | Linguaggi dal margine |
| title_fullStr | Linguaggi dal margine |
| title_full_unstemmed | Linguaggi dal margine |
| title_short | Linguaggi dal margine |
| title_sort | linguaggi dal margine |
| topic | Shakespeare theatre Italy translation marginality |
| topic_facet | Shakespeare theatre Italy translation marginality |
| url | ONIX_20241220_9791221505207_55 |
| work_keys_str_mv | AT montorfanobeatrice linguaggidalmargine |