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Knowledge production in visual arts organisations: a case study on the triangle network

The present research aims to advance two central questions: (1) what does ‘knowledge production’ mean in the context of contemporary curatorial practice and (2) how do VAOs fulfil this objective through their programmes. To a certain extent, the inquiry into the second question will provide insights...

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Hovedforfatter: Steinvorth, Sofia Ana Elise
Format: Online
Sprog:engelsk
Udgivet: UCP Press 2025
Fag:
Contemporary curatorial practice; Production of knowledge; Contemporary art; Visual arts organisations (VAOs); Irit Rogoff; Curatorial practice; Artistic practices; Gasworks; HANGAR; 32° East; Mediation; Representation; Conviviality; Curatorial discourse
thema EDItEUR::A The Arts
thema EDItEUR::A The Arts::AF The Arts: art forms::AFJ Other graphic or visual art forms
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
Online adgang:https://directory.doabooks.org/handle/20.500.12854/150362
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Summary:The present research aims to advance two central questions: (1) what does ‘knowledge production’ mean in the context of contemporary curatorial practice and (2) how do VAOs fulfil this objective through their programmes. To a certain extent, the inquiry into the second question will provide insights into the first one. Looking at visual arts organisations (VAOs) from a curatorial perspective, their institutional practices of knowledge production between the realms of the local and the global stand out. Focusing on three of the Triangle Network's partner organisations – HANGAR in Lisbon, Gasworks in London and 32º East in Kampala – three means of knowledge production in VAOs are defined and elaborated on: mediation, representation, and conviviality. The study highlights the existence of various knowledge(s) and insists on their importance.

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