The Allure of Glazed Terracotta in Renaissance Italy

This book explores the role of glazed terracotta sculpture in Renaissance Italy, from c. 1450 to the mid-1530s. In its brightness and intense colour glazed terracotta strongly attracted the viewer’s gaze. Its pure and radiant surfaces also had the power to raise the mind and soul of the faithful to...

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Manylion Llyfryddiaeth
Prif Awdur: Sarnecka, Zuzanna
Fformat: Online
Iaith:Saesneg
Cyhoeddwyd: Brepols 2025
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Mynediad Ar-lein:ONIX_20250210_9781912554782_2
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author Sarnecka, Zuzanna
author_browse Sarnecka, Zuzanna
author_facet Sarnecka, Zuzanna
author_sort Sarnecka, Zuzanna
collection Directory of Open Access Books
description This book explores the role of glazed terracotta sculpture in Renaissance Italy, from c. 1450 to the mid-1530s. In its brightness and intense colour glazed terracotta strongly attracted the viewer’s gaze. Its pure and radiant surfaces also had the power to raise the mind and soul of the faithful to contemplation of the divine. The quasi-magical process of firing earthenware coated with tin-based paste, promoted initially by imports from the East, was seized upon by Luca della Robbia, who realised that glazed terracotta was the ideal vehicle for the numinous. He began to create sculptures in the medium in the 1430s, and continued to produce them for the rest of his life. After Luca’s death, his nephew, Andrea della Robbia, inherited his workshop in Florence and continued to develop the medium, together with his sons. The book considers some of the large-scale altarpieces created by the Della Robbia family in parallel with a number of small-scale figures in glazed terracotta, mostly made by unidentified sculptors. The captivating illustrations integrate these two categories of glazed terracotta sculpture into the history of Italian Renaissance art. By focusing on a specific artistic medium which stimulated piety in both ecclesiastical and domestic contexts, this book offers new ways of thinking about the religious art of the Italian Renaissance. The links it establishes between lay devotion and the creation of religious images in glazed terracotta invite reassessment of habitual distinctions between private and public art.
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spelling doab-20.500.12854ir-1509292025-02-10T17:00:56Z The Allure of Glazed Terracotta in Renaissance Italy Sarnecka, Zuzanna Renaissance sculpture Religious art Ceramic, mosaic and glass artworks Italian Peninsula (c. 500-1500) thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture This book explores the role of glazed terracotta sculpture in Renaissance Italy, from c. 1450 to the mid-1530s. In its brightness and intense colour glazed terracotta strongly attracted the viewer’s gaze. Its pure and radiant surfaces also had the power to raise the mind and soul of the faithful to contemplation of the divine. The quasi-magical process of firing earthenware coated with tin-based paste, promoted initially by imports from the East, was seized upon by Luca della Robbia, who realised that glazed terracotta was the ideal vehicle for the numinous. He began to create sculptures in the medium in the 1430s, and continued to produce them for the rest of his life. After Luca’s death, his nephew, Andrea della Robbia, inherited his workshop in Florence and continued to develop the medium, together with his sons. The book considers some of the large-scale altarpieces created by the Della Robbia family in parallel with a number of small-scale figures in glazed terracotta, mostly made by unidentified sculptors. The captivating illustrations integrate these two categories of glazed terracotta sculpture into the history of Italian Renaissance art. By focusing on a specific artistic medium which stimulated piety in both ecclesiastical and domestic contexts, this book offers new ways of thinking about the religious art of the Italian Renaissance. The links it establishes between lay devotion and the creation of religious images in glazed terracotta invite reassessment of habitual distinctions between private and public art. 2025-02-10T17:00:53Z 2025-02-10T17:00:53Z 2022 book ONIX_20250210_9781912554782_2 9781912554782 9781912554898 https://directory.doabooks.org/handle/20.500.12854/150929 eng Studies in Medieval and Early Renaissance Art History image/jpeg Attribution-NonCommercial 4.0 International https://www.brepols.net/products/IS-9781912554782-1 https://www.brepolsonline.net/action/showBook?doi=10.1484%2FM.HMSAH-EB.5.129108 Brepols Harvey Miller 10.1484/M.HMSAH-EB.5.129108 10.1484/M.HMSAH-EB.5.129108 337417f5-5e42-49d3-8b32-3867e1572190 9781912554782 9781912554898 Harvey Miller 184 Turnhout open access
spellingShingle Renaissance sculpture
Religious art
Ceramic, mosaic and glass artworks
Italian Peninsula (c. 500-1500)
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture
Sarnecka, Zuzanna
The Allure of Glazed Terracotta in Renaissance Italy
title The Allure of Glazed Terracotta in Renaissance Italy
title_full The Allure of Glazed Terracotta in Renaissance Italy
title_fullStr The Allure of Glazed Terracotta in Renaissance Italy
title_full_unstemmed The Allure of Glazed Terracotta in Renaissance Italy
title_short The Allure of Glazed Terracotta in Renaissance Italy
title_sort allure of glazed terracotta in renaissance italy
topic Renaissance sculpture
Religious art
Ceramic, mosaic and glass artworks
Italian Peninsula (c. 500-1500)
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture
topic_facet Renaissance sculpture
Religious art
Ceramic, mosaic and glass artworks
Italian Peninsula (c. 500-1500)
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture
url ONIX_20250210_9781912554782_2
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