Futures of the Contemporary
Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity” Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinis...
Uloženo v:
| Médium: | Online |
|---|---|
| Jazyk: | angličtina |
| Vydáno: |
Leuven University Press
2025
|
| Témata: | |
| On-line přístup: | https://library.oapen.org/handle/20.500.12657/98340 |
| Tagy: |
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
|
| _version_ | 1869520699621638144 |
|---|---|
| collection | Directory of Open Access Books |
| description | Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity” Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from “the contemporaneous” of a given historical time, “the contemporary” becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a critical function, involving particular modes of relating to history and one’s own time.
Written by major experts from fields such as music performance, composition, art theory, visual arts, art history, critical studies, and philosophy, this book offers challenging perspectives on contemporary art practices, the temporality of artistic works and phenomena, and new modes of problematising the production of art and its public apprehension.
Contributors: Andrew Prior (University of Plymouth), Babette Babich (Fordham University), Geoff Cox (Fine Art at Plymouth University / Aarhus University), Heiner Goebbels (Justus Liebig University), Jacob Lund (Aarhus University), Michael Schwab (Orpheus Institute), Pal Capdevila (Autonomous University of Barcelona), Paulo de Assis (Orpheus Institute), Peter Osborne (Kingston University London), Ryan Nolan (University of Plymouth), Zsuzsa Baross (Trent University)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). |
| format | Online |
| id | doab-20.500.12854ir-151283 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Leuven University Press |
| publisherStr | Leuven University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1512832025-07-21T15:44:28Z Futures of the Contemporary de Assis, Paulo Schwab, Michael The contemporary;Contemporaneity;Contemporary art;Artistic research;Untimely;Temporality thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity” Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from “the contemporaneous” of a given historical time, “the contemporary” becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a critical function, involving particular modes of relating to history and one’s own time. Written by major experts from fields such as music performance, composition, art theory, visual arts, art history, critical studies, and philosophy, this book offers challenging perspectives on contemporary art practices, the temporality of artistic works and phenomena, and new modes of problematising the production of art and its public apprehension. Contributors: Andrew Prior (University of Plymouth), Babette Babich (Fordham University), Geoff Cox (Fine Art at Plymouth University / Aarhus University), Heiner Goebbels (Justus Liebig University), Jacob Lund (Aarhus University), Michael Schwab (Orpheus Institute), Pal Capdevila (Autonomous University of Barcelona), Paulo de Assis (Orpheus Institute), Peter Osborne (Kingston University London), Ryan Nolan (University of Plymouth), Zsuzsa Baross (Trent University) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). 2025-02-16T06:24:32Z 2025-02-16T06:24:32Z 2025-02-10T12:08:36Z 2025 book https://library.oapen.org/handle/20.500.12657/98340 9789461662866 9789462701830 https://directory.doabooks.org/handle/20.500.12854/151283 eng Orpheus Institute Series open access image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/98340/8/9789461666130.pdf Leuven University Press 10.11116/9789461666130 10.11116/9789461666130 9e472607-bec3-4b15-ba3f-f05039722389 9789461662866 9789462701830 191 Leuven open access |
| spellingShingle | The contemporary;Contemporaneity;Contemporary art;Artistic research;Untimely;Temporality thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art Futures of the Contemporary |
| title | Futures of the Contemporary |
| title_full | Futures of the Contemporary |
| title_fullStr | Futures of the Contemporary |
| title_full_unstemmed | Futures of the Contemporary |
| title_short | Futures of the Contemporary |
| title_sort | futures of the contemporary |
| topic | The contemporary;Contemporaneity;Contemporary art;Artistic research;Untimely;Temporality thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art |
| topic_facet | The contemporary;Contemporaneity;Contemporary art;Artistic research;Untimely;Temporality thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art |
| url | https://library.oapen.org/handle/20.500.12657/98340 |