Opera for Everyone
Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry’s productions as part of...
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| 格式: | Online |
| 語言: | 英语 |
| 出版: |
University of Michigan Press
2025
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| 主題: | |
| 在線閱讀: | ONIX_20250131_9780472904303_4 |
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| _version_ | 1869525732535828480 |
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| author | Steigerwald Ille, Megan |
| author_browse | Steigerwald Ille, Megan |
| author_facet | Steigerwald Ille, Megan |
| author_sort | Steigerwald Ille, Megan |
| collection | Directory of Open Access Books |
| description | Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry’s productions as part of an emerging wave of U.S. operas that integrate new media and interactive performance through means such as site-specificity and simulcast video, and then traces the company’s path from Crescent City (2012), the company’s first production, to Sweet Land (2020), the company’s final production before switching to a new production model. Steigerwald Ille argues that by moving opera outside of the opera house, The Industry’s productions expose the economic and aesthetic structures key to the circulation of operatic performance at the same time that they deploy opera as a tool for digital listening, community engagement, popular entertainment, and commentary on systemic racism and settler colonialism. Through ethnographic work with The Industry’s creators and performers, and close examination of the company’s first decade of work, this book reveals how The Industry paradoxically provides both a roadmap and boundary line for experimental and traditional companies trying to find new ways to approach operatic performance in the twenty-first century United States. |
| format | Online |
| id | doab-20.500.12854ir-151356 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | University of Michigan Press |
| publisherStr | University of Michigan Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1513562025-07-21T15:44:31Z Opera for Everyone Steigerwald Ille, Megan Opera, Music, Performance, The Industry, Livestreaming, Yuval Sharon, Performers, Community Access, Media, Raven Chacon, Du Yun, Access, Ethnography, Digital, Immersive, Operatic Economics, Anti-Colonial Opera, Invisible Cities, Mobile Music, Galileo, War of the Worlds, ATLAS thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry’s productions as part of an emerging wave of U.S. operas that integrate new media and interactive performance through means such as site-specificity and simulcast video, and then traces the company’s path from Crescent City (2012), the company’s first production, to Sweet Land (2020), the company’s final production before switching to a new production model. Steigerwald Ille argues that by moving opera outside of the opera house, The Industry’s productions expose the economic and aesthetic structures key to the circulation of operatic performance at the same time that they deploy opera as a tool for digital listening, community engagement, popular entertainment, and commentary on systemic racism and settler colonialism. Through ethnographic work with The Industry’s creators and performers, and close examination of the company’s first decade of work, this book reveals how The Industry paradoxically provides both a roadmap and boundary line for experimental and traditional companies trying to find new ways to approach operatic performance in the twenty-first century United States. 2025-02-16T11:12:07Z 2025-02-16T11:12:07Z 2025-01-31T13:28:22Z 2024 book ONIX_20250131_9780472904303_4 https://library.oapen.org/handle/20.500.12657/98125 9780472904303 9780472076642 9780472056644 https://directory.doabooks.org/handle/20.500.12854/151356 eng open access image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/98125/1/9780472904303.pdf University of Michigan Press University of Michigan Press 10.3998/mpub.12081134 10.3998/mpub.12081134 b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472904303 9780472076642 9780472056644 University of Michigan Press 308 open access |
| spellingShingle | Opera, Music, Performance, The Industry, Livestreaming, Yuval Sharon, Performers, Community Access, Media, Raven Chacon, Du Yun, Access, Ethnography, Digital, Immersive, Operatic Economics, Anti-Colonial Opera, Invisible Cities, Mobile Music, Galileo, War of the Worlds, ATLAS thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts Steigerwald Ille, Megan Opera for Everyone |
| title | Opera for Everyone |
| title_full | Opera for Everyone |
| title_fullStr | Opera for Everyone |
| title_full_unstemmed | Opera for Everyone |
| title_short | Opera for Everyone |
| title_sort | opera for everyone |
| topic | Opera, Music, Performance, The Industry, Livestreaming, Yuval Sharon, Performers, Community Access, Media, Raven Chacon, Du Yun, Access, Ethnography, Digital, Immersive, Operatic Economics, Anti-Colonial Opera, Invisible Cities, Mobile Music, Galileo, War of the Worlds, ATLAS thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts |
| topic_facet | Opera, Music, Performance, The Industry, Livestreaming, Yuval Sharon, Performers, Community Access, Media, Raven Chacon, Du Yun, Access, Ethnography, Digital, Immersive, Operatic Economics, Anti-Colonial Opera, Invisible Cities, Mobile Music, Galileo, War of the Worlds, ATLAS thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AT Performing arts |
| url | ONIX_20250131_9780472904303_4 |
| work_keys_str_mv | AT steigerwaldillemegan operaforeveryone |