Performance, Subjectivity, and Experimentation
Performance in the fields of contemporary music, subjectivity and identity Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity...
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| Μορφή: | Online |
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| Γλώσσα: | Αγγλικά |
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Leuven University Press
2025
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| Διαθέσιμο Online: | https://library.oapen.org/handle/20.500.12657/98341 |
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| _version_ | 1869525732683677696 |
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| collection | Directory of Open Access Books |
| description | Performance in the fields of contemporary music, subjectivity and identity
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thủy Nguyễn (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). |
| format | Online |
| id | doab-20.500.12854ir-152024 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Leuven University Press |
| publisherStr | Leuven University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1520242025-07-21T15:44:44Z Performance, Subjectivity, and Experimentation Laws, Catherine Performance;Subjectivity;Identity;Agency;Voice;Artistic research;Experimentation;Musical instruments;Technology;Bodies thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments Performance in the fields of contemporary music, subjectivity and identity Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thủy Nguyễn (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). 2025-02-17T05:37:53Z 2025-02-17T05:37:53Z 2025-02-10T12:13:15Z 2025 book https://library.oapen.org/handle/20.500.12657/98341 9789461663313 9789462702318 https://directory.doabooks.org/handle/20.500.12854/152024 eng Orpheus Institute Series open access image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/98341/8/9789461666154.pdf Leuven University Press 10.11116/9789461666154 10.11116/9789461666154 9e472607-bec3-4b15-ba3f-f05039722389 9789461663313 9789462702318 243 Leuven open access |
| spellingShingle | Performance;Subjectivity;Identity;Agency;Voice;Artistic research;Experimentation;Musical instruments;Technology;Bodies thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments Performance, Subjectivity, and Experimentation |
| title | Performance, Subjectivity, and Experimentation |
| title_full | Performance, Subjectivity, and Experimentation |
| title_fullStr | Performance, Subjectivity, and Experimentation |
| title_full_unstemmed | Performance, Subjectivity, and Experimentation |
| title_short | Performance, Subjectivity, and Experimentation |
| title_sort | performance subjectivity and experimentation |
| topic | Performance;Subjectivity;Identity;Agency;Voice;Artistic research;Experimentation;Musical instruments;Technology;Bodies thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments |
| topic_facet | Performance;Subjectivity;Identity;Agency;Voice;Artistic research;Experimentation;Musical instruments;Technology;Bodies thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art thema EDItEUR::A The Arts::AV Music::AVR Musical instruments |
| url | https://library.oapen.org/handle/20.500.12657/98341 |