The Making of Les Immatériaux
The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science an...
Sábháilte in:
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| Formáid: | Online |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
meson press
2025
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| Ábhair: | |
| Rochtain ar líne: | https://library.oapen.org/handle/20.500.12657/98927 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| _version_ | 1869515421431889920 |
|---|---|
| author | Broeckmann, Andreas |
| author_browse | Broeckmann, Andreas |
| author_facet | Broeckmann, Andreas |
| author_sort | Broeckmann, Andreas |
| collection | Directory of Open Access Books |
| description | The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture. Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists. Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. |
| format | Online |
| id | doab-20.500.12854ir-153276 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | meson press |
| publisherStr | meson press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1532762025-07-29T20:01:22Z The Making of Les Immatériaux Broeckmann, Andreas art history;exhibition history;curating;new media;immateriality thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture. Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists. Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. 2025-02-27T04:19:31Z 2025-02-27T04:19:31Z 2025-02-25T11:27:16Z 2025 book https://library.oapen.org/handle/20.500.12657/98927 9783957962591 https://directory.doabooks.org/handle/20.500.12854/153276 eng open access image/jpeg image/jpeg Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/98927/1/978-3-95796-260-7_The_Making_of_Les_Immateriaux.pdf https://library.oapen.org/bitstream/20.500.12657/98927/1/978-3-95796-260-7_The_Making_of_Les_Immateriaux.pdf meson press 10.14619/2591 10.14619/2591 ac472089-6d55-48f6-b3d5-e22eef42c7db Deutsche Forschungsgemeinschaft (DFG) 631ac483-8bae-460f-9987-c3f4e4b98bb5 9783957962591 DFG - German Research Foundation 355 open access |
| spellingShingle | art history;exhibition history;curating;new media;immateriality thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts Broeckmann, Andreas The Making of Les Immatériaux |
| title | The Making of Les Immatériaux |
| title_full | The Making of Les Immatériaux |
| title_fullStr | The Making of Les Immatériaux |
| title_full_unstemmed | The Making of Les Immatériaux |
| title_short | The Making of Les Immatériaux |
| title_sort | making of les immateriaux |
| topic | art history;exhibition history;curating;new media;immateriality thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts |
| topic_facet | art history;exhibition history;curating;new media;immateriality thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts |
| url | https://library.oapen.org/handle/20.500.12657/98927 |
| work_keys_str_mv | AT broeckmannandreas themakingoflesimmateriaux AT broeckmannandreas makingoflesimmateriaux |