Polish–Czech and Polish–Slovak Cinematic Contact

This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–C...

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Príomhchruthaitheoirí: Łyko, Iwona, Szczutkowska, Joanna, Jiřiště, Jakub, Guzek, Mariusz, Wojnicka, Joanna, Hučko, Tomáš, Grzechowiak, Jarosław, Hučková, Jadwiga, Żebrowski, Mateusz, Nowakowski, Jacek, Figat, Katarzyna
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Foilsithe / Cruthaithe: Wydawnictwo Uniwersytetu Łódzkiego 2025
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author Łyko, Iwona
Szczutkowska, Joanna
Jiřiště, Jakub
Guzek, Mariusz
Wojnicka, Joanna
Hučko, Tomáš
Grzechowiak, Jarosław
Hučková, Jadwiga
Żebrowski, Mateusz
Nowakowski, Jacek
Figat, Katarzyna
author_browse Figat, Katarzyna
Grzechowiak, Jarosław
Guzek, Mariusz
Hučko, Tomáš
Hučková, Jadwiga
Jiřiště, Jakub
Nowakowski, Jacek
Szczutkowska, Joanna
Wojnicka, Joanna
Łyko, Iwona
Żebrowski, Mateusz
author_facet Łyko, Iwona
Szczutkowska, Joanna
Jiřiště, Jakub
Guzek, Mariusz
Wojnicka, Joanna
Hučko, Tomáš
Grzechowiak, Jarosław
Hučková, Jadwiga
Żebrowski, Mateusz
Nowakowski, Jacek
Figat, Katarzyna
author_sort Łyko, Iwona
collection Directory of Open Access Books
description This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists.
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language pol
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Wydawnictwo Uniwersytetu Łódzkiego
publisherStr Wydawnictwo Uniwersytetu Łódzkiego
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spelling doab-20.500.12854ir-1538752025-03-07T12:26:07Z Polish–Czech and Polish–Slovak Cinematic Contact Łyko, Iwona Szczutkowska, Joanna Jiřiště, Jakub Guzek, Mariusz Wojnicka, Joanna Hučko, Tomáš Grzechowiak, Jarosław Hučková, Jadwiga Żebrowski, Mateusz Nowakowski, Jacek Figat, Katarzyna Ciszewska, Ewa Góralik, Mikołaj Czechoslovak cinema Czech cinema Slovak cinema Polish Cinema film education cultural transfer socialist cinema film adaptation film studies This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists. 2025-03-07T12:26:05Z 2025-03-07T12:26:05Z 2018 book ONIX_20250307_9788381420693_53 9788381420693 9788381420686 9788365501431 https://directory.doabooks.org/handle/20.500.12854/153875 pol Film! Scholars image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/455 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8142-068-6 This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists. 10.18778/8142-068-6 83bfe9c9-323d-4283-b087-d859fd9af314 9788381420693 9788381420686 9788365501431 electronic open access
spellingShingle Czechoslovak cinema
Czech cinema
Slovak cinema
Polish Cinema
film education
cultural transfer
socialist cinema
film adaptation
film studies
Łyko, Iwona
Szczutkowska, Joanna
Jiřiště, Jakub
Guzek, Mariusz
Wojnicka, Joanna
Hučko, Tomáš
Grzechowiak, Jarosław
Hučková, Jadwiga
Żebrowski, Mateusz
Nowakowski, Jacek
Figat, Katarzyna
Polish–Czech and Polish–Slovak Cinematic Contact
title Polish–Czech and Polish–Slovak Cinematic Contact
title_full Polish–Czech and Polish–Slovak Cinematic Contact
title_fullStr Polish–Czech and Polish–Slovak Cinematic Contact
title_full_unstemmed Polish–Czech and Polish–Slovak Cinematic Contact
title_short Polish–Czech and Polish–Slovak Cinematic Contact
title_sort polish czech and polish slovak cinematic contact
topic Czechoslovak cinema
Czech cinema
Slovak cinema
Polish Cinema
film education
cultural transfer
socialist cinema
film adaptation
film studies
topic_facet Czechoslovak cinema
Czech cinema
Slovak cinema
Polish Cinema
film education
cultural transfer
socialist cinema
film adaptation
film studies
url ONIX_20250307_9788381420693_53
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