Polish–Czech and Polish–Slovak Cinematic Contact
This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–C...
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| Príomhchruthaitheoirí: | , , , , , , , , , , |
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| Formáid: | Online |
| Teanga: | Polainnis |
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Ábhair: | |
| Rochtain ar líne: | ONIX_20250307_9788381420693_53 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| _version_ | 1869525950317723648 |
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| author | Łyko, Iwona Szczutkowska, Joanna Jiřiště, Jakub Guzek, Mariusz Wojnicka, Joanna Hučko, Tomáš Grzechowiak, Jarosław Hučková, Jadwiga Żebrowski, Mateusz Nowakowski, Jacek Figat, Katarzyna |
| author_browse | Figat, Katarzyna Grzechowiak, Jarosław Guzek, Mariusz Hučko, Tomáš Hučková, Jadwiga Jiřiště, Jakub Nowakowski, Jacek Szczutkowska, Joanna Wojnicka, Joanna Łyko, Iwona Żebrowski, Mateusz |
| author_facet | Łyko, Iwona Szczutkowska, Joanna Jiřiště, Jakub Guzek, Mariusz Wojnicka, Joanna Hučko, Tomáš Grzechowiak, Jarosław Hučková, Jadwiga Żebrowski, Mateusz Nowakowski, Jacek Figat, Katarzyna |
| author_sort | Łyko, Iwona |
| collection | Directory of Open Access Books |
| description | This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists. |
| format | Online |
| id | doab-20.500.12854ir-153875 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1538752025-03-07T12:26:07Z Polish–Czech and Polish–Slovak Cinematic Contact Łyko, Iwona Szczutkowska, Joanna Jiřiště, Jakub Guzek, Mariusz Wojnicka, Joanna Hučko, Tomáš Grzechowiak, Jarosław Hučková, Jadwiga Żebrowski, Mateusz Nowakowski, Jacek Figat, Katarzyna Ciszewska, Ewa Góralik, Mikołaj Czechoslovak cinema Czech cinema Slovak cinema Polish Cinema film education cultural transfer socialist cinema film adaptation film studies This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists. 2025-03-07T12:26:05Z 2025-03-07T12:26:05Z 2018 book ONIX_20250307_9788381420693_53 9788381420693 9788381420686 9788365501431 https://directory.doabooks.org/handle/20.500.12854/153875 pol Film! Scholars image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/455 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8142-068-6 This book is the first monographic study of Polish–Czech and Polish–Slovak cinematic contacts, covering as it does all historical periods from before World War II to the present day. The first part of the book is composed of articles taking a broad look at such topics as the vicissitudes of Polish–Czech cinematic co-operation in the interwar period (Iwona Łyko) and after 1945 (Joanna Szczutkowska), the contact between Polish and Czechoslovak television from the 1950s to 1989 (Jakub Jiřiště), and film education in the three neighbouring countries (Ewa Ciszewska). The second part focuses on individual films and includes the article on film adaptation of End of the Lonely Farm Berghof, a novel by Vladimír Körner (Mariusz Guzek), the adaptation of The Brothers Karamazov by Petr Zelenka (Joanna Wojnicka), Peter Solan’s The Boxer and Death (Tomáš Hučko) and the nearly forgotten Polish–Slovak co-production A Short Life by Zbigniew Kuźmiński (Jarosław Grzechowiak). The final part comprises studies on such topics as the reception of Andrzej Wajda’s films in the Czechoslovak press (Jadwiga Hučková), documentary films by Pavel Barabáš on the Tatra Mountains (Mateusz Żebrowski), and a comparative analysis of the image of the secret services in Dogs by Władysław Pasikowski and Red Captain by Michal Kollár. The final text in the book is an interview by Katarzyna Figat of the film director Janusz Majewski concerning his extensive experience of co-operation with Czechoslovak cinema artists. 10.18778/8142-068-6 83bfe9c9-323d-4283-b087-d859fd9af314 9788381420693 9788381420686 9788365501431 electronic open access |
| spellingShingle | Czechoslovak cinema Czech cinema Slovak cinema Polish Cinema film education cultural transfer socialist cinema film adaptation film studies Łyko, Iwona Szczutkowska, Joanna Jiřiště, Jakub Guzek, Mariusz Wojnicka, Joanna Hučko, Tomáš Grzechowiak, Jarosław Hučková, Jadwiga Żebrowski, Mateusz Nowakowski, Jacek Figat, Katarzyna Polish–Czech and Polish–Slovak Cinematic Contact |
| title | Polish–Czech and Polish–Slovak Cinematic Contact |
| title_full | Polish–Czech and Polish–Slovak Cinematic Contact |
| title_fullStr | Polish–Czech and Polish–Slovak Cinematic Contact |
| title_full_unstemmed | Polish–Czech and Polish–Slovak Cinematic Contact |
| title_short | Polish–Czech and Polish–Slovak Cinematic Contact |
| title_sort | polish czech and polish slovak cinematic contact |
| topic | Czechoslovak cinema Czech cinema Slovak cinema Polish Cinema film education cultural transfer socialist cinema film adaptation film studies |
| topic_facet | Czechoslovak cinema Czech cinema Slovak cinema Polish Cinema film education cultural transfer socialist cinema film adaptation film studies |
| url | ONIX_20250307_9788381420693_53 |
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