From the Tops of the Alps...
One could safely wager that in Poland the Swiss drama and theatre is uncharted territory, that the Polish audience rarely associates its representatives with the Swiss culture, identifying them primarily through language – as German-speaking artists. Consequently, the perception of the Swiss drama a...
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| Fformat: | Online |
| Iaith: | Pwyleg |
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Mynediad Ar-lein: | ONIX_20250307_9788381422048_87 |
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Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869528968937340928 |
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| author | Hilmes, Carola Hernández, Isabel Saalbach, Mario Famula, Marta Jabłkowska, Joanna Gręda-Kowalewska, Anna Pogonowska, Barbara Kobus, Paulina Mazurkiewicz, Ewa Sośnicka, Dorota Rduch, Robert McClelland, Richard Pełka, Artur Linder, Lukas Komorowski, Dariusz Firaza, Joanna Jambor, Ján Hirrle, Corinna Janus, Maria |
| author_browse | Famula, Marta Firaza, Joanna Gręda-Kowalewska, Anna Hernández, Isabel Hilmes, Carola Hirrle, Corinna Jabłkowska, Joanna Jambor, Ján Janus, Maria Kobus, Paulina Komorowski, Dariusz Linder, Lukas Mazurkiewicz, Ewa McClelland, Richard Pełka, Artur Pogonowska, Barbara Rduch, Robert Saalbach, Mario Sośnicka, Dorota |
| author_facet | Hilmes, Carola Hernández, Isabel Saalbach, Mario Famula, Marta Jabłkowska, Joanna Gręda-Kowalewska, Anna Pogonowska, Barbara Kobus, Paulina Mazurkiewicz, Ewa Sośnicka, Dorota Rduch, Robert McClelland, Richard Pełka, Artur Linder, Lukas Komorowski, Dariusz Firaza, Joanna Jambor, Ján Hirrle, Corinna Janus, Maria |
| author_sort | Hilmes, Carola |
| collection | Directory of Open Access Books |
| description | One could safely wager that in Poland the Swiss drama and theatre is uncharted territory, that the Polish audience rarely associates its representatives with the Swiss culture, identifying them primarily through language – as German-speaking artists. Consequently, the perception of the Swiss drama and theatre is extremely limited and leads to consolidating the canon, as if the Swiss theatre rested only on the shoulders of Friedrich Dürrenmatt and Max Frisch. This book was born of the need to introduce the Polish reader to an array of Swiss playwrights with whom the Polish and European theatre has little to no familiarity. Reflections on the nature of the Swiss drama and theatre are also an attempt to show the reception – not always orthodox – of Swiss authors in Europe, certain aspects of the organization of the theatrical production system in Switzerland, and – last but not least – they are to lead to a fresh reading of literary tradition currently interpreted by new dramaturgy. From The Introduction |
| format | Online |
| id | doab-20.500.12854ir-153908 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1539082025-03-07T12:28:00Z From the Tops of the Alps... Hilmes, Carola Hernández, Isabel Saalbach, Mario Famula, Marta Jabłkowska, Joanna Gręda-Kowalewska, Anna Pogonowska, Barbara Kobus, Paulina Mazurkiewicz, Ewa Sośnicka, Dorota Rduch, Robert McClelland, Richard Pełka, Artur Linder, Lukas Komorowski, Dariusz Firaza, Joanna Jambor, Ján Hirrle, Corinna Janus, Maria Sidowska, Karolina Wąsik, Monika Swiss theatre Peter Stamm Lukas Linder Urs Widmer Lukas Bärfuss Friedrich Dürrenmatt Max Frisch One could safely wager that in Poland the Swiss drama and theatre is uncharted territory, that the Polish audience rarely associates its representatives with the Swiss culture, identifying them primarily through language – as German-speaking artists. Consequently, the perception of the Swiss drama and theatre is extremely limited and leads to consolidating the canon, as if the Swiss theatre rested only on the shoulders of Friedrich Dürrenmatt and Max Frisch. This book was born of the need to introduce the Polish reader to an array of Swiss playwrights with whom the Polish and European theatre has little to no familiarity. Reflections on the nature of the Swiss drama and theatre are also an attempt to show the reception – not always orthodox – of Swiss authors in Europe, certain aspects of the organization of the theatrical production system in Switzerland, and – last but not least – they are to lead to a fresh reading of literary tradition currently interpreted by new dramaturgy. From The Introduction 2025-03-07T12:27:58Z 2025-03-07T12:27:58Z 2019 book ONIX_20250307_9788381422048_87 9788381422048 9788381422031 https://directory.doabooks.org/handle/20.500.12854/153908 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1098 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8142-203-1 One could safely wager that in Poland the Swiss drama and theatre is uncharted territory, that the Polish audience rarely associates its representatives with the Swiss culture, identifying them primarily through language – as German-speaking artists. Consequently, the perception of the Swiss drama and theatre is extremely limited and leads to consolidating the canon, as if the Swiss theatre rested only on the shoulders of Friedrich Dürrenmatt and Max Frisch. This book was born of the need to introduce the Polish reader to an array of Swiss playwrights with whom the Polish and European theatre has little to no familiarity. Reflections on the nature of the Swiss drama and theatre are also an attempt to show the reception – not always orthodox – of Swiss authors in Europe, certain aspects of the organization of the theatrical production system in Switzerland, and – last but not least – they are to lead to a fresh reading of literary tradition currently interpreted by new dramaturgy. From The Introduction 10.18778/8142-203-1 83bfe9c9-323d-4283-b087-d859fd9af314 9788381422048 9788381422031 electronic open access |
| spellingShingle | Swiss theatre Peter Stamm Lukas Linder Urs Widmer Lukas Bärfuss Friedrich Dürrenmatt Max Frisch Hilmes, Carola Hernández, Isabel Saalbach, Mario Famula, Marta Jabłkowska, Joanna Gręda-Kowalewska, Anna Pogonowska, Barbara Kobus, Paulina Mazurkiewicz, Ewa Sośnicka, Dorota Rduch, Robert McClelland, Richard Pełka, Artur Linder, Lukas Komorowski, Dariusz Firaza, Joanna Jambor, Ján Hirrle, Corinna Janus, Maria From the Tops of the Alps... |
| title | From the Tops of the Alps... |
| title_full | From the Tops of the Alps... |
| title_fullStr | From the Tops of the Alps... |
| title_full_unstemmed | From the Tops of the Alps... |
| title_short | From the Tops of the Alps... |
| title_sort | from the tops of the alps |
| topic | Swiss theatre Peter Stamm Lukas Linder Urs Widmer Lukas Bärfuss Friedrich Dürrenmatt Max Frisch |
| topic_facet | Swiss theatre Peter Stamm Lukas Linder Urs Widmer Lukas Bärfuss Friedrich Dürrenmatt Max Frisch |
| url | ONIX_20250307_9788381422048_87 |
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