(Dif)fusions
The publication is the result of a project implemented at the Łódź Museum of Art in cooperation with the University of Łódź Department of the 20th- and 21st-Century Literature. The case-study research focused on the phenomena that indicated artists' attachment to different variants of the avant-gar...
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| Format: | Online |
| Sprache: | Polnisch |
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Online-Zugang: | ONIX_20250307_9788381426817_225 |
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| author | Kmiecik, Michalina Wójtowicz, Aleksander Śniecikowska, Beata Staroń, Justyna Niewiadomski, Andrzej Śliwa, Anna Bocheński, Tomasz Stangret, Paweł Rejniak-Majewska, Agnieszka Pachocki, Dariusz Załuski, Tomasz Muzyczuk, Daniel |
| author_browse | Bocheński, Tomasz Kmiecik, Michalina Muzyczuk, Daniel Niewiadomski, Andrzej Pachocki, Dariusz Rejniak-Majewska, Agnieszka Stangret, Paweł Staroń, Justyna Wójtowicz, Aleksander Załuski, Tomasz Śliwa, Anna Śniecikowska, Beata |
| author_facet | Kmiecik, Michalina Wójtowicz, Aleksander Śniecikowska, Beata Staroń, Justyna Niewiadomski, Andrzej Śliwa, Anna Bocheński, Tomasz Stangret, Paweł Rejniak-Majewska, Agnieszka Pachocki, Dariusz Załuski, Tomasz Muzyczuk, Daniel |
| author_sort | Kmiecik, Michalina |
| collection | Directory of Open Access Books |
| description | The publication is the result of a project implemented at the Łódź Museum of Art in cooperation with the University of Łódź Department of the 20th- and 21st-Century Literature. The case-study research focused on the phenomena that indicated artists' attachment to different variants of the avant-garde principle of the integration of arts. They also emphasized the convergence of artists' aspirations in Poland after 1945 in various sociopolitical, institutional and even social contexts.The book deals with alliances and analogies within visual arts and literature – both beyond their traditionally obeyed formulas, and within conventionally respected and honoured limits. The authors of the collected texts try to capture the reciprocity of artistic stimulation in the dissemination of specific ideas, and at the same time they are interested in positional and paradigmatic shifts in the perception of seemingly well-known issues; in other words, in everything that lies in the semantic potential of the title “(dif)fusion”.“This volume has a distinct innovative trait – both at the level of discovering and revealing new ideas (where phenomena subjected to little or no research are examined) and in the area of repetition (where discussion covers decently researched topics). [...] There is also, so to speak, a cognitive section in it. On the one hand, there are contributions to the work of very famous and well-known artists (Białoszewski, Brzozowski, Buczkowski, Czycz, Haupt, Kantor, Peiper, Strzemiński, Themerson), while on the other we receive competent texts devoted to artists and phenomena that are less popular or virtually unknown (Bruszewski, Dłużniewski, Kryszkowski, Partum or underground art magazines – artzines). Inevitably, these first contributions require engaging in a kind of agon with antecedent research, while the latter constitute an intellectual novelty somewhat in and of itself. This combination seems very refreshing for the message of the entire publication.” From the review by dr hab. Piotr Łuszczykiewicz, prof. UAM |
| format | Online |
| id | doab-20.500.12854ir-154046 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1540462025-03-07T12:35:52Z (Dif)fusions Kmiecik, Michalina Wójtowicz, Aleksander Śniecikowska, Beata Staroń, Justyna Niewiadomski, Andrzej Śliwa, Anna Bocheński, Tomasz Stangret, Paweł Rejniak-Majewska, Agnieszka Pachocki, Dariusz Załuski, Tomasz Muzyczuk, Daniel Lachman, Magdalena Polit, Paweł literariness visuality avant-garde utopia visual arts The publication is the result of a project implemented at the Łódź Museum of Art in cooperation with the University of Łódź Department of the 20th- and 21st-Century Literature. The case-study research focused on the phenomena that indicated artists' attachment to different variants of the avant-garde principle of the integration of arts. They also emphasized the convergence of artists' aspirations in Poland after 1945 in various sociopolitical, institutional and even social contexts.The book deals with alliances and analogies within visual arts and literature – both beyond their traditionally obeyed formulas, and within conventionally respected and honoured limits. The authors of the collected texts try to capture the reciprocity of artistic stimulation in the dissemination of specific ideas, and at the same time they are interested in positional and paradigmatic shifts in the perception of seemingly well-known issues; in other words, in everything that lies in the semantic potential of the title “(dif)fusion”.“This volume has a distinct innovative trait – both at the level of discovering and revealing new ideas (where phenomena subjected to little or no research are examined) and in the area of repetition (where discussion covers decently researched topics). [...] There is also, so to speak, a cognitive section in it. On the one hand, there are contributions to the work of very famous and well-known artists (Białoszewski, Brzozowski, Buczkowski, Czycz, Haupt, Kantor, Peiper, Strzemiński, Themerson), while on the other we receive competent texts devoted to artists and phenomena that are less popular or virtually unknown (Bruszewski, Dłużniewski, Kryszkowski, Partum or underground art magazines – artzines). Inevitably, these first contributions require engaging in a kind of agon with antecedent research, while the latter constitute an intellectual novelty somewhat in and of itself. This combination seems very refreshing for the message of the entire publication.” From the review by dr hab. Piotr Łuszczykiewicz, prof. UAM 2025-03-07T12:35:50Z 2025-03-07T12:35:50Z 2019 book ONIX_20250307_9788381426817_225 9788381426817 9788381426800 9788363820916 9788363820923 https://directory.doabooks.org/handle/20.500.12854/154046 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/924 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8142-680-0 The publication is the result of a project implemented at the Łódź Museum of Art in cooperation with the University of Łódź Department of the 20th- and 21st-Century Literature. The case-study research focused on the phenomena that indicated artists' attachment to different variants of the avant-garde principle of the integration of arts. They also emphasized the convergence of artists' aspirations in Poland after 1945 in various sociopolitical, institutional and even social contexts.The book deals with alliances and analogies within visual arts and literature – both beyond their traditionally obeyed formulas, and within conventionally respected and honoured limits. The authors of the collected texts try to capture the reciprocity of artistic stimulation in the dissemination of specific ideas, and at the same time they are interested in positional and paradigmatic shifts in the perception of seemingly well-known issues; in other words, in everything that lies in the semantic potential of the title “(dif)fusion”.“This volume has a distinct innovative trait – both at the level of discovering and revealing new ideas (where phenomena subjected to little or no research are examined) and in the area of repetition (where discussion covers decently researched topics). [...] There is also, so to speak, a cognitive section in it. On the one hand, there are contributions to the work of very famous and well-known artists (Białoszewski, Brzozowski, Buczkowski, Czycz, Haupt, Kantor, Peiper, Strzemiński, Themerson), while on the other we receive competent texts devoted to artists and phenomena that are less popular or virtually unknown (Bruszewski, Dłużniewski, Kryszkowski, Partum or underground art magazines – artzines). Inevitably, these first contributions require engaging in a kind of agon with antecedent research, while the latter constitute an intellectual novelty somewhat in and of itself. This combination seems very refreshing for the message of the entire publication.” From the review by dr hab. Piotr Łuszczykiewicz, prof. UAM 10.18778/8142-680-0 83bfe9c9-323d-4283-b087-d859fd9af314 9788381426817 9788381426800 9788363820916 9788363820923 electronic open access |
| spellingShingle | literariness visuality avant-garde utopia visual arts Kmiecik, Michalina Wójtowicz, Aleksander Śniecikowska, Beata Staroń, Justyna Niewiadomski, Andrzej Śliwa, Anna Bocheński, Tomasz Stangret, Paweł Rejniak-Majewska, Agnieszka Pachocki, Dariusz Załuski, Tomasz Muzyczuk, Daniel (Dif)fusions |
| title | (Dif)fusions |
| title_full | (Dif)fusions |
| title_fullStr | (Dif)fusions |
| title_full_unstemmed | (Dif)fusions |
| title_short | (Dif)fusions |
| title_sort | dif fusions |
| topic | literariness visuality avant-garde utopia visual arts |
| topic_facet | literariness visuality avant-garde utopia visual arts |
| url | ONIX_20250307_9788381426817_225 |
| work_keys_str_mv | AT kmiecikmichalina diffusions AT wojtowiczaleksander diffusions AT sniecikowskabeata diffusions AT staronjustyna diffusions AT niewiadomskiandrzej diffusions AT sliwaanna diffusions AT bochenskitomasz diffusions AT stangretpaweł diffusions AT rejniakmajewskaagnieszka diffusions AT pachockidariusz diffusions AT załuskitomasz diffusions AT muzyczukdaniel diffusions |