Prosody as a component of sense
The researching of the mechanisms that rule the sense composing, in process of receiving the communique, is still of interest to researchers – Aleksy Awdiejew and Grażyna Habrajska – the creators of Polish communicativism theory. However, there were no deliberations dedicated to prosody. The purpose...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Online |
| Taal: | Pools |
| Gepubliceerd in: |
Wydawnictwo Uniwersytetu Łódzkiego
2025
|
| Onderwerpen: | |
| Online toegang: | ONIX_20250307_9788382206586_521 |
| Tags: |
Geen labels, Wees de eerste die dit record labelt!
|
| _version_ | 1869530487795482624 |
|---|---|
| author | Grzegorzewska, Anita |
| author_browse | Grzegorzewska, Anita |
| author_facet | Grzegorzewska, Anita |
| author_sort | Grzegorzewska, Anita |
| collection | Directory of Open Access Books |
| description | The researching of the mechanisms that rule the sense composing, in process of receiving the communique, is still of interest to researchers – Aleksy Awdiejew and Grażyna Habrajska – the creators of Polish communicativism theory. However, there were no deliberations dedicated to prosody. The purpose of presented publication is to refill this vacancy. Author, referring to the theoretical basics of commucativism, researches the process of communicating the sense, using suprasegmental elements of speech (stress and intonation) and segmental elements (pause). She offers an auditory analysis of material extracted from 16 different audiobooks of literature classics. The proprietary system of prosodic elements’ notation allows to observe and to record the acoustic value of the communiques. Using this system isn’t a purpose itself – it’s used for professional analysis of a prosodic frame. Communicative approach of the prosody contributed to initiate a new field of study: prosody pragmatics. According to this, author describes prosody that: 1) does not interfere with interactive power of communique (prosody read); 2) can sensitize, weaken or modify this power (prosody derived or interpreted). She extracts and classifies all prosody’s characteristics within the groups of interactive operators they create; she recreates the process of supporting the sense’s composing using prosody, by comparing primary (by author of the text) and secondary (by actor reading the text) prosodic interpretation of the text. She also designates the classes of phenomena, within recipients can build some area of meaning in their own imagination. |
| format | Online |
| id | doab-20.500.12854ir-154341 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1543412025-03-07T12:55:18Z Prosody as a component of sense Grzegorzewska, Anita prosody compositing the sense communicativism auditory analysis The researching of the mechanisms that rule the sense composing, in process of receiving the communique, is still of interest to researchers – Aleksy Awdiejew and Grażyna Habrajska – the creators of Polish communicativism theory. However, there were no deliberations dedicated to prosody. The purpose of presented publication is to refill this vacancy. Author, referring to the theoretical basics of commucativism, researches the process of communicating the sense, using suprasegmental elements of speech (stress and intonation) and segmental elements (pause). She offers an auditory analysis of material extracted from 16 different audiobooks of literature classics. The proprietary system of prosodic elements’ notation allows to observe and to record the acoustic value of the communiques. Using this system isn’t a purpose itself – it’s used for professional analysis of a prosodic frame. Communicative approach of the prosody contributed to initiate a new field of study: prosody pragmatics. According to this, author describes prosody that: 1) does not interfere with interactive power of communique (prosody read); 2) can sensitize, weaken or modify this power (prosody derived or interpreted). She extracts and classifies all prosody’s characteristics within the groups of interactive operators they create; she recreates the process of supporting the sense’s composing using prosody, by comparing primary (by author of the text) and secondary (by actor reading the text) prosodic interpretation of the text. She also designates the classes of phenomena, within recipients can build some area of meaning in their own imagination. 2025-03-07T12:55:16Z 2025-03-07T12:55:16Z 2021 book ONIX_20250307_9788382206586_521 9788382206586 9788382206579 https://directory.doabooks.org/handle/20.500.12854/154341 pol Linguistics image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/385 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8220-657-9 The researching of the mechanisms that rule the sense composing, in process of receiving the communique, is still of interest to researchers – Aleksy Awdiejew and Grażyna Habrajska – the creators of Polish communicativism theory. However, there were no deliberations dedicated to prosody. The purpose of presented publication is to refill this vacancy. Author, referring to the theoretical basics of commucativism, researches the process of communicating the sense, using suprasegmental elements of speech (stress and intonation) and segmental elements (pause). She offers an auditory analysis of material extracted from 16 different audiobooks of literature classics. The proprietary system of prosodic elements’ notation allows to observe and to record the acoustic value of the communiques. Using this system isn’t a purpose itself – it’s used for professional analysis of a prosodic frame. Communicative approach of the prosody contributed to initiate a new field of study: prosody pragmatics. According to this, author describes prosody that: 1) does not interfere with interactive power of communique (prosody read); 2) can sensitize, weaken or modify this power (prosody derived or interpreted). She extracts and classifies all prosody’s characteristics within the groups of interactive operators they create; she recreates the process of supporting the sense’s composing using prosody, by comparing primary (by author of the text) and secondary (by actor reading the text) prosodic interpretation of the text. She also designates the classes of phenomena, within recipients can build some area of meaning in their own imagination. 10.18778/8220-657-9 83bfe9c9-323d-4283-b087-d859fd9af314 9788382206586 9788382206579 electronic open access |
| spellingShingle | prosody compositing the sense communicativism auditory analysis Grzegorzewska, Anita Prosody as a component of sense |
| title | Prosody as a component of sense |
| title_full | Prosody as a component of sense |
| title_fullStr | Prosody as a component of sense |
| title_full_unstemmed | Prosody as a component of sense |
| title_short | Prosody as a component of sense |
| title_sort | prosody as a component of sense |
| topic | prosody compositing the sense communicativism auditory analysis |
| topic_facet | prosody compositing the sense communicativism auditory analysis |
| url | ONIX_20250307_9788382206586_521 |
| work_keys_str_mv | AT grzegorzewskaanita prosodyasacomponentofsense |