L’Abbé Prout by Paul Ranson
In the presented monograph, the author analyzes drama created within the aesthetics of French social protest theater, which was crafted by politically engaged writers at the turn of the 19th and 20th centuries. This book is dedicated to the work L’Abbé Prout (1902), known as Father Windbag, by Paul...
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Online Erişim: | ONIX_20250307_9788383315911_736 |
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| _version_ | 1869526237850894336 |
|---|---|
| author | Kaczmarek, Tomasz |
| author_browse | Kaczmarek, Tomasz |
| author_facet | Kaczmarek, Tomasz |
| author_sort | Kaczmarek, Tomasz |
| collection | Directory of Open Access Books |
| description | In the presented monograph, the author analyzes drama created within the aesthetics of French social protest theater, which was crafted by politically engaged writers at the turn of the 19th and 20th centuries. This book is dedicated to the work L’Abbé Prout (1902), known as Father Windbag, by Paul Ranson, which has been translated into Polish for the first time (Ojczulek Puściwiatr). In this drama, the writer and painter associated with the Nabis group critiques the Catholic Church, represented by the titular Windbag, whose behavior contradicts the values he preaches to his followers. Ranson boldly sketches the character of the priest, mocking his vices and flaws, such as drunkenness, gluttony, and sexual promiscuity. This ruthless farce, using scatological language akin to Alfred Jarry’s, aligns with the poetics of medieval theater, which also ruthlessly exposed the perverse behaviors of the nobility. Ranson similarly directs the satire not only at the clergy but also at the main representatives of power (aristocracy, generals, etc.) |
| format | Online |
| id | doab-20.500.12854ir-154554 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1545542025-03-07T13:11:27Z L’Abbé Prout by Paul Ranson Kaczmarek, Tomasz Paul Ranson antyklerykalizm satire sotie theater of protest In the presented monograph, the author analyzes drama created within the aesthetics of French social protest theater, which was crafted by politically engaged writers at the turn of the 19th and 20th centuries. This book is dedicated to the work L’Abbé Prout (1902), known as Father Windbag, by Paul Ranson, which has been translated into Polish for the first time (Ojczulek Puściwiatr). In this drama, the writer and painter associated with the Nabis group critiques the Catholic Church, represented by the titular Windbag, whose behavior contradicts the values he preaches to his followers. Ranson boldly sketches the character of the priest, mocking his vices and flaws, such as drunkenness, gluttony, and sexual promiscuity. This ruthless farce, using scatological language akin to Alfred Jarry’s, aligns with the poetics of medieval theater, which also ruthlessly exposed the perverse behaviors of the nobility. Ranson similarly directs the satire not only at the clergy but also at the main representatives of power (aristocracy, generals, etc.) 2025-03-07T13:11:26Z 2025-03-07T13:11:26Z 2024 book ONIX_20250307_9788383315911_736 9788383315911 9788383315904 https://directory.doabooks.org/handle/20.500.12854/154554 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1099 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8331-590-4 In the presented monograph, the author analyzes drama created within the aesthetics of French social protest theater, which was crafted by politically engaged writers at the turn of the 19th and 20th centuries. This book is dedicated to the work L’Abbé Prout (1902), known as Father Windbag, by Paul Ranson, which has been translated into Polish for the first time (Ojczulek Puściwiatr). In this drama, the writer and painter associated with the Nabis group critiques the Catholic Church, represented by the titular Windbag, whose behavior contradicts the values he preaches to his followers. Ranson boldly sketches the character of the priest, mocking his vices and flaws, such as drunkenness, gluttony, and sexual promiscuity. This ruthless farce, using scatological language akin to Alfred Jarry’s, aligns with the poetics of medieval theater, which also ruthlessly exposed the perverse behaviors of the nobility. Ranson similarly directs the satire not only at the clergy but also at the main representatives of power (aristocracy, generals, etc.) 10.18778/8331-590-4 83bfe9c9-323d-4283-b087-d859fd9af314 9788383315911 9788383315904 electronic open access |
| spellingShingle | Paul Ranson antyklerykalizm satire sotie theater of protest Kaczmarek, Tomasz L’Abbé Prout by Paul Ranson |
| title | L’Abbé Prout by Paul Ranson |
| title_full | L’Abbé Prout by Paul Ranson |
| title_fullStr | L’Abbé Prout by Paul Ranson |
| title_full_unstemmed | L’Abbé Prout by Paul Ranson |
| title_short | L’Abbé Prout by Paul Ranson |
| title_sort | l abbe prout by paul ranson |
| topic | Paul Ranson antyklerykalizm satire sotie theater of protest |
| topic_facet | Paul Ranson antyklerykalizm satire sotie theater of protest |
| url | ONIX_20250307_9788383315911_736 |
| work_keys_str_mv | AT kaczmarektomasz labbeproutbypaulranson |