Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster
My goal is to display multi-level relationships existing between the real world and the fictional world. The keystone of these considerations I made an idiom “true fabrication” that appears in the works of a Polish postwar writer, Marek Hłasko. The text begins with the disclosure of a paradox lying...
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Online Erişim: | ONIX_20250307_9788380882232_33 |
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| _version_ | 1869518790615629824 |
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| author | Kafar, Marcin |
| author_browse | Kafar, Marcin |
| author_facet | Kafar, Marcin |
| author_sort | Kafar, Marcin |
| collection | Directory of Open Access Books |
| description | My goal is to display multi-level relationships existing between the real world and the fictional world. The keystone of these considerations I made an idiom “true fabrication” that appears in the works of a Polish postwar writer, Marek Hłasko. The text begins with the disclosure of a paradox lying in a field of the semantic phrase “true fabrication”. Using this phrase I highlight the ambivalence which I encountered during my own field investigations, stretched between real presence and the presence mediated by thought and writing. In the subsequent parts of the essay, I combine―in accordance with the rule of the preliminary diagnosis―the level of experiencing “being in the field” with the level of experiencing literature. Throughout this process I am accompanied by Paul Auster―cognate to Marek Hłasko in his “true false” intuitions. Reporting to the Reader my reading of Oracle Night (built on the “true false” concept―this is an equivalent of Hłasko’s “true fabrication” in Austerian nomenclature), I take up the challenge of the “game of narration” (a term coined by Jacques Lacan), which enables extending the interpretation horizon with what does not entirely fit within the “truth” or within the “fiction”, occupying a roomy space “between” them. Apart from Auster, Hłasko and Lacan, for such intellectual-experiential journey I am also taking Virginia Woolf, Paul Ricoeur, Rasmus R. Simonsen and Javier Marías. |
| format | Online |
| id | doab-20.500.12854ir-154608 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1546082025-03-07T13:26:18Z Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster Kafar, Marcin My goal is to display multi-level relationships existing between the real world and the fictional world. The keystone of these considerations I made an idiom “true fabrication” that appears in the works of a Polish postwar writer, Marek Hłasko. The text begins with the disclosure of a paradox lying in a field of the semantic phrase “true fabrication”. Using this phrase I highlight the ambivalence which I encountered during my own field investigations, stretched between real presence and the presence mediated by thought and writing. In the subsequent parts of the essay, I combine―in accordance with the rule of the preliminary diagnosis―the level of experiencing “being in the field” with the level of experiencing literature. Throughout this process I am accompanied by Paul Auster―cognate to Marek Hłasko in his “true false” intuitions. Reporting to the Reader my reading of Oracle Night (built on the “true false” concept―this is an equivalent of Hłasko’s “true fabrication” in Austerian nomenclature), I take up the challenge of the “game of narration” (a term coined by Jacques Lacan), which enables extending the interpretation horizon with what does not entirely fit within the “truth” or within the “fiction”, occupying a roomy space “between” them. Apart from Auster, Hłasko and Lacan, for such intellectual-experiential journey I am also taking Virginia Woolf, Paul Ricoeur, Rasmus R. Simonsen and Javier Marías. 2025-03-07T13:26:17Z 2025-03-07T13:26:17Z 2016 chapter ONIX_20250307_9788380882232_33 9788380882232 9788380882225 https://directory.doabooks.org/handle/20.500.12854/154608 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/331 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8088-222-5.08 My goal is to display multi-level relationships existing between the real world and the fictional world. The keystone of these considerations I made an idiom “true fabrication” that appears in the works of a Polish postwar writer, Marek Hłasko. The text begins with the disclosure of a paradox lying in a field of the semantic phrase “true fabrication”. Using this phrase I highlight the ambivalence which I encountered during my own field investigations, stretched between real presence and the presence mediated by thought and writing. In the subsequent parts of the essay, I combine―in accordance with the rule of the preliminary diagnosis―the level of experiencing “being in the field” with the level of experiencing literature. Throughout this process I am accompanied by Paul Auster―cognate to Marek Hłasko in his “true false” intuitions. Reporting to the Reader my reading of Oracle Night (built on the “true false” concept―this is an equivalent of Hłasko’s “true fabrication” in Austerian nomenclature), I take up the challenge of the “game of narration” (a term coined by Jacques Lacan), which enables extending the interpretation horizon with what does not entirely fit within the “truth” or within the “fiction”, occupying a roomy space “between” them. Apart from Auster, Hłasko and Lacan, for such intellectual-experiential journey I am also taking Virginia Woolf, Paul Ricoeur, Rasmus R. Simonsen and Javier Marías. 10.18778/8088-222-5.08 83bfe9c9-323d-4283-b087-d859fd9af314 9788380882232 9788380882225 147-172 open access |
| spellingShingle | Kafar, Marcin Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title | Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title_full | Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title_fullStr | Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title_full_unstemmed | Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title_short | Chapter “True fabrication” in research practice. Between experiencing “being in the field” and experiencing literature―a journey with Paul Auster |
| title_sort | chapter true fabrication in research practice between experiencing being in the field and experiencing literature a journey with paul auster |
| url | ONIX_20250307_9788380882232_33 |
| work_keys_str_mv | AT kafarmarcin chaptertruefabricationinresearchpracticebetweenexperiencingbeinginthefieldandexperiencingliteratureajourneywithpaulauster |