Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos
The text is devoted to the creative activities of Andrzej Partum, in particular his specific approach to language, which is evident in his early volumes of poetry from the 1960s and later manifestoes. Partum’s poetry presents itself a selfconscious play with language, intellectual and epistemic prov...
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| Príomhchruthaitheoir: | |
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| Formáid: | Online |
| Teanga: | Polainnis |
| Foilsithe / Cruthaithe: |
Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Ábhair: | |
| Rochtain ar líne: | ONIX_20250307_9788381426817_486 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| _version_ | 1869515015595229184 |
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| author | Rejniak-Majewska, Agnieszka |
| author_browse | Rejniak-Majewska, Agnieszka |
| author_facet | Rejniak-Majewska, Agnieszka |
| author_sort | Rejniak-Majewska, Agnieszka |
| collection | Directory of Open Access Books |
| description | The text is devoted to the creative activities of Andrzej Partum, in particular his specific approach to language, which is evident in his early volumes of poetry from the 1960s and later manifestoes. Partum’s poetry presents itself a selfconscious play with language, intellectual and epistemic provocation, marked by unbelief in the sense-giving and ordering power of language. This makes a connection with the style of his later ‘programmatic texts’ and manifestoes in which the individual act of speech is above all a gesture, a form of interpellation and a question directed towards the recipient, not a consistent message with specific content. The object of analysis is both the reception of Partum’s work in the contemporary literary world in Poland and in the circles of independent art which in the ‘70s were assimilating and redefining the ideas of conceptual art. Whereas within the literary field Partum’s activity was perceived only as an intriguing but difficult to assess peculiarity, due to the specific conceptual and institutional structures of this field, in the milieu of multi-media, contestatory art, its myth-generating potential was more fully developed and appreciated. It was, as I argue, the result of Partum’s emphasis on the eventual, situational and personal dimension of communicative acts. |
| format | Online |
| id | doab-20.500.12854ir-155061 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1550612025-03-07T13:52:05Z Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos Rejniak-Majewska, Agnieszka literariness visuality avant-garde utopia visual arts The text is devoted to the creative activities of Andrzej Partum, in particular his specific approach to language, which is evident in his early volumes of poetry from the 1960s and later manifestoes. Partum’s poetry presents itself a selfconscious play with language, intellectual and epistemic provocation, marked by unbelief in the sense-giving and ordering power of language. This makes a connection with the style of his later ‘programmatic texts’ and manifestoes in which the individual act of speech is above all a gesture, a form of interpellation and a question directed towards the recipient, not a consistent message with specific content. The object of analysis is both the reception of Partum’s work in the contemporary literary world in Poland and in the circles of independent art which in the ‘70s were assimilating and redefining the ideas of conceptual art. Whereas within the literary field Partum’s activity was perceived only as an intriguing but difficult to assess peculiarity, due to the specific conceptual and institutional structures of this field, in the milieu of multi-media, contestatory art, its myth-generating potential was more fully developed and appreciated. It was, as I argue, the result of Partum’s emphasis on the eventual, situational and personal dimension of communicative acts. 2025-03-07T13:52:03Z 2025-03-07T13:52:03Z 2019 chapter ONIX_20250307_9788381426817_486 9788381426817 9788381426800 9788363820916 9788363820923 https://directory.doabooks.org/handle/20.500.12854/155061 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/924 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8142-680-0.10 The text is devoted to the creative activities of Andrzej Partum, in particular his specific approach to language, which is evident in his early volumes of poetry from the 1960s and later manifestoes. Partum’s poetry presents itself a selfconscious play with language, intellectual and epistemic provocation, marked by unbelief in the sense-giving and ordering power of language. This makes a connection with the style of his later ‘programmatic texts’ and manifestoes in which the individual act of speech is above all a gesture, a form of interpellation and a question directed towards the recipient, not a consistent message with specific content. The object of analysis is both the reception of Partum’s work in the contemporary literary world in Poland and in the circles of independent art which in the ‘70s were assimilating and redefining the ideas of conceptual art. Whereas within the literary field Partum’s activity was perceived only as an intriguing but difficult to assess peculiarity, due to the specific conceptual and institutional structures of this field, in the milieu of multi-media, contestatory art, its myth-generating potential was more fully developed and appreciated. It was, as I argue, the result of Partum’s emphasis on the eventual, situational and personal dimension of communicative acts. 10.18778/8142-680-0.10 83bfe9c9-323d-4283-b087-d859fd9af314 9788381426817 9788381426800 9788363820916 9788363820923 243-270 open access |
| spellingShingle | literariness visuality avant-garde utopia visual arts Rejniak-Majewska, Agnieszka Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title | Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title_full | Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title_fullStr | Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title_full_unstemmed | Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title_short | Chapter Encoding Art Against Accurate Communication. Andrzej Partum’s Poems and Manifestos |
| title_sort | chapter encoding art against accurate communication andrzej partum s poems and manifestos |
| topic | literariness visuality avant-garde utopia visual arts |
| topic_facet | literariness visuality avant-garde utopia visual arts |
| url | ONIX_20250307_9788381426817_486 |
| work_keys_str_mv | AT rejniakmajewskaagnieszka chapterencodingartagainstaccuratecommunicationandrzejpartumspoemsandmanifestos |