Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience
Jan Lechoń hid his face under the mask of Konrad, creating himself as the heir of the great romantics, the fourth bard. In reflections on the mirror’s topics, along with Erynie poem, his Diary is the basic source that allows to understand the various stages of Lechoń creativity, the periods of his c...
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| Päätekijä: | |
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| Aineistotyyppi: | Online |
| Kieli: | puola |
| Julkaistu: |
Wydawnictwo Uniwersytetu Łódzkiego
2025
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| Linkit: | ONIX_20250307_9788381428132_657 |
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| _version_ | 1869523361226293248 |
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| author | Urbańska, Monika |
| author_browse | Urbańska, Monika |
| author_facet | Urbańska, Monika |
| author_sort | Urbańska, Monika |
| collection | Directory of Open Access Books |
| description | Jan Lechoń hid his face under the mask of Konrad, creating himself as the heir of the great romantics, the fourth bard. In reflections on the mirror’s topics, along with Erynie poem, his Diary is the basic source that allows to understand the various stages of Lechoń creativity, the periods of his creative collapse, and the internal path in which the writer made regular vivisection. Bills of conscience, spiritual confrontations with the glass of the mirror, in Diary was called by him as the „court of justice”. However, he was not honest in his records, he made many silences. Portraits of total destruction were not an option in the case of Lechoń, he wanted to keep the face that was needed — to the end. Throughout his life and consistently, in the final moment, Lechoń remained a prisoner of form and mask. We will discuss this topic in the article. |
| format | Online |
| id | doab-20.500.12854ir-155232 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1552322025-03-07T14:02:11Z Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience Urbańska, Monika Jan Lechoń hid his face under the mask of Konrad, creating himself as the heir of the great romantics, the fourth bard. In reflections on the mirror’s topics, along with Erynie poem, his Diary is the basic source that allows to understand the various stages of Lechoń creativity, the periods of his creative collapse, and the internal path in which the writer made regular vivisection. Bills of conscience, spiritual confrontations with the glass of the mirror, in Diary was called by him as the „court of justice”. However, he was not honest in his records, he made many silences. Portraits of total destruction were not an option in the case of Lechoń, he wanted to keep the face that was needed — to the end. Throughout his life and consistently, in the final moment, Lechoń remained a prisoner of form and mask. We will discuss this topic in the article. 2025-03-07T14:02:10Z 2025-03-07T14:02:10Z 2020 chapter ONIX_20250307_9788381428132_657 9788381428132 9788381428125 https://directory.doabooks.org/handle/20.500.12854/155232 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/300 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8142-812-5.05 Jan Lechoń hid his face under the mask of Konrad, creating himself as the heir of the great romantics, the fourth bard. In reflections on the mirror’s topics, along with Erynie poem, his Diary is the basic source that allows to understand the various stages of Lechoń creativity, the periods of his creative collapse, and the internal path in which the writer made regular vivisection. Bills of conscience, spiritual confrontations with the glass of the mirror, in Diary was called by him as the „court of justice”. However, he was not honest in his records, he made many silences. Portraits of total destruction were not an option in the case of Lechoń, he wanted to keep the face that was needed — to the end. Throughout his life and consistently, in the final moment, Lechoń remained a prisoner of form and mask. We will discuss this topic in the article. 10.18778/8142-812-5.05 83bfe9c9-323d-4283-b087-d859fd9af314 9788381428132 9788381428125 57-78 open access |
| spellingShingle | Urbańska, Monika Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title | Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title_full | Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title_fullStr | Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title_full_unstemmed | Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title_short | Chapter Jan Lechoń in Front of the Mirror of the Tribunal of Conscience |
| title_sort | chapter jan lechon in front of the mirror of the tribunal of conscience |
| url | ONIX_20250307_9788381428132_657 |
| work_keys_str_mv | AT urbanskamonika chapterjanlechoninfrontofthemirrorofthetribunalofconscience |