Chapter About borders and their movement in spaces of contemporary art

For a long time, artists have pushed aesthetic and ethical boundaries, making them ahead of their time and constituting their sensitive seismograph. Since art is an expression of its times, the question arises what and how does contemporary art express, which in a controversial and violent way shift...

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Huvudupphov: Pankowska, Krystyna
Materialtyp: Online
Språk:polska
Utgiven: Wydawnictwo Uniwersytetu Łódzkiego 2025
Länkar:ONIX_20250307_9788382203158_999
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author Pankowska, Krystyna
author_browse Pankowska, Krystyna
author_facet Pankowska, Krystyna
author_sort Pankowska, Krystyna
collection Directory of Open Access Books
description For a long time, artists have pushed aesthetic and ethical boundaries, making them ahead of their time and constituting their sensitive seismograph. Since art is an expression of its times, the question arises what and how does contemporary art express, which in a controversial and violent way shifts and expands its boundaries. The phenomenon of destabilization of boundaries (ethical, aesthetic) was decreed by postmodernism, the shortest definition of which is: everything is allowed. The methodological correctness of postmodernism assumed that no limits could be set, nothing could be hierarchized, nothing could be set on the scale of inferiority and superiority. The purpose of this text is to show, on selected examples, that artists go beyond the socially accepted framework of creativity, including those concerning the taking up of previously absent topics or the use of new matter and means of expression in constructing artistic statements. The text is an attempt to show changes in art as phenomenon resulting from changes in other dimensions of our reality, liberated from earlier socially accepted norms and aesthetic fetters.
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spelling doab-20.500.12854ir-1555742025-03-07T14:23:23Z Chapter About borders and their movement in spaces of contemporary art Pankowska, Krystyna For a long time, artists have pushed aesthetic and ethical boundaries, making them ahead of their time and constituting their sensitive seismograph. Since art is an expression of its times, the question arises what and how does contemporary art express, which in a controversial and violent way shifts and expands its boundaries. The phenomenon of destabilization of boundaries (ethical, aesthetic) was decreed by postmodernism, the shortest definition of which is: everything is allowed. The methodological correctness of postmodernism assumed that no limits could be set, nothing could be hierarchized, nothing could be set on the scale of inferiority and superiority. The purpose of this text is to show, on selected examples, that artists go beyond the socially accepted framework of creativity, including those concerning the taking up of previously absent topics or the use of new matter and means of expression in constructing artistic statements. The text is an attempt to show changes in art as phenomenon resulting from changes in other dimensions of our reality, liberated from earlier socially accepted norms and aesthetic fetters. 2025-03-07T14:23:21Z 2025-03-07T14:23:21Z 2020 chapter ONIX_20250307_9788382203158_999 9788382203158 9788382203141 https://directory.doabooks.org/handle/20.500.12854/155574 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1050 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8220-314-1.03 For a long time, artists have pushed aesthetic and ethical boundaries, making them ahead of their time and constituting their sensitive seismograph. Since art is an expression of its times, the question arises what and how does contemporary art express, which in a controversial and violent way shifts and expands its boundaries. The phenomenon of destabilization of boundaries (ethical, aesthetic) was decreed by postmodernism, the shortest definition of which is: everything is allowed. The methodological correctness of postmodernism assumed that no limits could be set, nothing could be hierarchized, nothing could be set on the scale of inferiority and superiority. The purpose of this text is to show, on selected examples, that artists go beyond the socially accepted framework of creativity, including those concerning the taking up of previously absent topics or the use of new matter and means of expression in constructing artistic statements. The text is an attempt to show changes in art as phenomenon resulting from changes in other dimensions of our reality, liberated from earlier socially accepted norms and aesthetic fetters. 10.18778/8220-314-1.03 83bfe9c9-323d-4283-b087-d859fd9af314 9788382203158 9788382203141 33-45 open access
spellingShingle Pankowska, Krystyna
Chapter About borders and their movement in spaces of contemporary art
title Chapter About borders and their movement in spaces of contemporary art
title_full Chapter About borders and their movement in spaces of contemporary art
title_fullStr Chapter About borders and their movement in spaces of contemporary art
title_full_unstemmed Chapter About borders and their movement in spaces of contemporary art
title_short Chapter About borders and their movement in spaces of contemporary art
title_sort chapter about borders and their movement in spaces of contemporary art
url ONIX_20250307_9788382203158_999
work_keys_str_mv AT pankowskakrystyna chapteraboutbordersandtheirmovementinspacesofcontemporaryart