Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations

This article presents the analysis of music lovers’ artistic choices in the context of their view on other national and cultural groups. Since music is a kind of nonverbal communication, the attitude to certain musical compositions might be perceived as an expression of the level of tolerance. Toler...

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Главный автор: Sasin, Magdalena
Формат: Online
Язык:польский
Опубликовано: Wydawnictwo Uniwersytetu Łódzkiego 2025
Online-ссылка:ONIX_20250307_9788382203158_1005
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author Sasin, Magdalena
author_browse Sasin, Magdalena
author_facet Sasin, Magdalena
author_sort Sasin, Magdalena
collection Directory of Open Access Books
description This article presents the analysis of music lovers’ artistic choices in the context of their view on other national and cultural groups. Since music is a kind of nonverbal communication, the attitude to certain musical compositions might be perceived as an expression of the level of tolerance. Tolerance is interpreted here – according to Ija Lazari-Pawłowska – as a positive value, active attitude of understanding and respect. Traditional classical music lovers, who prefer music from centuries between 17th and mid 20th, are relatively conservative, while contemporary music lovers tend to be more open. Regardless of this fact, some musical compositions are characterized by the predominance of non- -musical content, which is a result of their background and way of presentation more than the intension of composers themselves. This situation indicates that many listeners are schematic in their perception. It reveals space for aesthetic education. However, this schematic attitude is often strengthened in school education; the opportunity to shape tolerance by using music must be assessed as an unfulfilled potential.
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spelling doab-20.500.12854ir-1555802025-03-07T14:23:54Z Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations Sasin, Magdalena This article presents the analysis of music lovers’ artistic choices in the context of their view on other national and cultural groups. Since music is a kind of nonverbal communication, the attitude to certain musical compositions might be perceived as an expression of the level of tolerance. Tolerance is interpreted here – according to Ija Lazari-Pawłowska – as a positive value, active attitude of understanding and respect. Traditional classical music lovers, who prefer music from centuries between 17th and mid 20th, are relatively conservative, while contemporary music lovers tend to be more open. Regardless of this fact, some musical compositions are characterized by the predominance of non- -musical content, which is a result of their background and way of presentation more than the intension of composers themselves. This situation indicates that many listeners are schematic in their perception. It reveals space for aesthetic education. However, this schematic attitude is often strengthened in school education; the opportunity to shape tolerance by using music must be assessed as an unfulfilled potential. 2025-03-07T14:23:53Z 2025-03-07T14:23:53Z 2020 chapter ONIX_20250307_9788382203158_1005 9788382203158 9788382203141 https://directory.doabooks.org/handle/20.500.12854/155580 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1050 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8220-314-1.09 This article presents the analysis of music lovers’ artistic choices in the context of their view on other national and cultural groups. Since music is a kind of nonverbal communication, the attitude to certain musical compositions might be perceived as an expression of the level of tolerance. Tolerance is interpreted here – according to Ija Lazari-Pawłowska – as a positive value, active attitude of understanding and respect. Traditional classical music lovers, who prefer music from centuries between 17th and mid 20th, are relatively conservative, while contemporary music lovers tend to be more open. Regardless of this fact, some musical compositions are characterized by the predominance of non- -musical content, which is a result of their background and way of presentation more than the intension of composers themselves. This situation indicates that many listeners are schematic in their perception. It reveals space for aesthetic education. However, this schematic attitude is often strengthened in school education; the opportunity to shape tolerance by using music must be assessed as an unfulfilled potential. 10.18778/8220-314-1.09 83bfe9c9-323d-4283-b087-d859fd9af314 9788382203158 9788382203141 109-124 open access
spellingShingle Sasin, Magdalena
Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title_full Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title_fullStr Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title_full_unstemmed Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title_short Chapter Artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
title_sort chapter artistic choices of classical music lovers as a criterion of their level of tolerance towards other cultures and nations
url ONIX_20250307_9788382203158_1005
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