Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions
The research premise addresses the question whether and how the historical politics of Germany and Austria affects the cinematic representations of Jews. Both countries are responsible for the consequences of World War II, but they have dealt with their wartime heritage differently. The dissertation...
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Online |
| Teanga: | Polainnis |
| Foilsithe / Cruthaithe: |
Wydawnictwo Uniwersytetu Łódzkiego
2025
|
| Ábhair: | |
| Rochtain ar líne: | ONIX_20250307_9788382207330_1350 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
| _version_ | 1869517392477945856 |
|---|---|
| author | Wesołowska, Olga |
| author_browse | Wesołowska, Olga |
| author_facet | Wesołowska, Olga |
| author_sort | Wesołowska, Olga |
| collection | Directory of Open Access Books |
| description | The research premise addresses the question whether and how the historical politics of Germany and Austria affects the cinematic representations of Jews. Both countries are responsible for the consequences of World War II, but they have dealt with their wartime heritage differently. The dissertation investigates to what extent the assumed rhetoric of the debate on Nazism and the Holocaust shapes the cinematic representations of Jews. Also, taking into account the present situation of the Jewish minority in these countries. Selected examples from Austrian and German films make up interesting research material for comparative analysis. By stressing possible similarities and differences between the two national cinemas, it allows to capture certain patterns in presenting Jews as well as indicates their national invariants. The methodological approach draws on theories in the field of memory studies. Particular attention is directed to the question whether analysed films reproduce anti-Semitic stereotypes, or whether their approach is creative and subversive. The dissertation also reflects on the problem whether the generation of Survivors and their descendants are presented in the same way, or whether their cinematic images are constructed in relation to the same or different stereotypes: the Jew as the Other, or the Jew as a Victim? |
| format | Online |
| id | doab-20.500.12854ir-155700 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1557002025-03-07T14:31:22Z Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions Wesołowska, Olga metal music site of trauma anty-semityzm modern theatre translation diaspora contemporary cinema The research premise addresses the question whether and how the historical politics of Germany and Austria affects the cinematic representations of Jews. Both countries are responsible for the consequences of World War II, but they have dealt with their wartime heritage differently. The dissertation investigates to what extent the assumed rhetoric of the debate on Nazism and the Holocaust shapes the cinematic representations of Jews. Also, taking into account the present situation of the Jewish minority in these countries. Selected examples from Austrian and German films make up interesting research material for comparative analysis. By stressing possible similarities and differences between the two national cinemas, it allows to capture certain patterns in presenting Jews as well as indicates their national invariants. The methodological approach draws on theories in the field of memory studies. Particular attention is directed to the question whether analysed films reproduce anti-Semitic stereotypes, or whether their approach is creative and subversive. The dissertation also reflects on the problem whether the generation of Survivors and their descendants are presented in the same way, or whether their cinematic images are constructed in relation to the same or different stereotypes: the Jew as the Other, or the Jew as a Victim? 2025-03-07T14:31:21Z 2025-03-07T14:31:21Z 2022 chapter ONIX_20250307_9788382207330_1350 9788382207330 9788382207323 https://directory.doabooks.org/handle/20.500.12854/155700 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1222 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8220-732-3.16 The research premise addresses the question whether and how the historical politics of Germany and Austria affects the cinematic representations of Jews. Both countries are responsible for the consequences of World War II, but they have dealt with their wartime heritage differently. The dissertation investigates to what extent the assumed rhetoric of the debate on Nazism and the Holocaust shapes the cinematic representations of Jews. Also, taking into account the present situation of the Jewish minority in these countries. Selected examples from Austrian and German films make up interesting research material for comparative analysis. By stressing possible similarities and differences between the two national cinemas, it allows to capture certain patterns in presenting Jews as well as indicates their national invariants. The methodological approach draws on theories in the field of memory studies. Particular attention is directed to the question whether analysed films reproduce anti-Semitic stereotypes, or whether their approach is creative and subversive. The dissertation also reflects on the problem whether the generation of Survivors and their descendants are presented in the same way, or whether their cinematic images are constructed in relation to the same or different stereotypes: the Jew as the Other, or the Jew as a Victim? 10.18778/8220-732-3.16 83bfe9c9-323d-4283-b087-d859fd9af314 9788382207330 9788382207323 183-191 open access |
| spellingShingle | metal music site of trauma anty-semityzm modern theatre translation diaspora contemporary cinema Wesołowska, Olga Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title | Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title_full | Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title_fullStr | Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title_full_unstemmed | Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title_short | Chapter Life after life. Cinematic representations of Jews (Holocaust survivors and subsequent generations) in contemporary German and Austrian film productions |
| title_sort | chapter life after life cinematic representations of jews holocaust survivors and subsequent generations in contemporary german and austrian film productions |
| topic | metal music site of trauma anty-semityzm modern theatre translation diaspora contemporary cinema |
| topic_facet | metal music site of trauma anty-semityzm modern theatre translation diaspora contemporary cinema |
| url | ONIX_20250307_9788382207330_1350 |
| work_keys_str_mv | AT wesołowskaolga chapterlifeafterlifecinematicrepresentationsofjewsholocaustsurvivorsandsubsequentgenerationsincontemporarygermanandaustrianfilmproductions |