Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”

The article is based on the notion of contrast and its role in creating a detailed and nuanced narration with psychologically complex heroes. Contrasts in question include those between poverty and richness, dreams and reality and being and pretending to be. The reflexion is enriched with a theatric...

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Príomhchruthaitheoir: Antkiewicz, Emilia
Formáid: Online
Teanga:Fraincis
Foilsithe / Cruthaithe: Wydawnictwo Uniwersytetu Łódzkiego 2025
Rochtain ar líne:ONIX_20250307_9788383311272_1704
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author Antkiewicz, Emilia
author_browse Antkiewicz, Emilia
author_facet Antkiewicz, Emilia
author_sort Antkiewicz, Emilia
collection Directory of Open Access Books
description The article is based on the notion of contrast and its role in creating a detailed and nuanced narration with psychologically complex heroes. Contrasts in question include those between poverty and richness, dreams and reality and being and pretending to be. The reflexion is enriched with a theatrical twist by questions concerning the role (or even hypothetical presence) of hybris in the process of creating an intricate composition and the possibility of a tragedy-like reading and interpretation of the short story.
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spelling doab-20.500.12854ir-1560542025-03-07T14:53:41Z Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure” Antkiewicz, Emilia The article is based on the notion of contrast and its role in creating a detailed and nuanced narration with psychologically complex heroes. Contrasts in question include those between poverty and richness, dreams and reality and being and pretending to be. The reflexion is enriched with a theatrical twist by questions concerning the role (or even hypothetical presence) of hybris in the process of creating an intricate composition and the possibility of a tragedy-like reading and interpretation of the short story. 2025-03-07T14:53:39Z 2025-03-07T14:53:39Z 2023 chapter ONIX_20250307_9788383311272_1704 9788383311272 9788383311265 https://directory.doabooks.org/handle/20.500.12854/156054 fre image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/254 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8331-126-5.15 The article is based on the notion of contrast and its role in creating a detailed and nuanced narration with psychologically complex heroes. Contrasts in question include those between poverty and richness, dreams and reality and being and pretending to be. The reflexion is enriched with a theatrical twist by questions concerning the role (or even hypothetical presence) of hybris in the process of creating an intricate composition and the possibility of a tragedy-like reading and interpretation of the short story. 10.18778/8331-126-5.15 83bfe9c9-323d-4283-b087-d859fd9af314 9788383311272 9788383311265 185-198 open access
spellingShingle Antkiewicz, Emilia
Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title_full Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title_fullStr Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title_full_unstemmed Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title_short Chapter The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”
title_sort chapter the multiplicity of contrasts in guy de maupassant s short story la parure
url ONIX_20250307_9788383311272_1704
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