Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique

This paper explores how women who are both critics and artists resist the designations assigned to genre and gender. The alias of caractère unique subverts the academic categories that seek to locate and confine their unique practice and their work. In a set of creative evasions that explore the lim...

Cur síos iomlán

Sábháilte in:
Sonraí bibleagrafaíochta
Príomhchruthaitheoir: Van Herk, Aritha
Formáid: Online
Teanga:Béarla
Foilsithe / Cruthaithe: Wydawnictwo Uniwersytetu Łódzkiego 2025
Ábhair:
Rochtain ar líne:ONIX_20250307_9788383313986_2007
Clibeanna: Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
_version_ 1869520741266882560
author Van Herk, Aritha
author_browse Van Herk, Aritha
author_facet Van Herk, Aritha
author_sort Van Herk, Aritha
collection Directory of Open Access Books
description This paper explores how women who are both critics and artists resist the designations assigned to genre and gender. The alias of caractère unique subverts the academic categories that seek to locate and confine their unique practice and their work. In a set of creative evasions that explore the limitations of brackets and applications, this investigation of ambiguity proceeds as a poetics of digression, working from interviews that Dorota Filipczak conducted with Mieke Bal and Rukmini Bhaya Nair. The result is an excursion into bavardage that is nevertheless an aesthetic disruption of the authority of structure and destination.
format Online
id doab-20.500.12854ir-156357
institution Directory of Open Access Books
language eng
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Wydawnictwo Uniwersytetu Łódzkiego
publisherStr Wydawnictwo Uniwersytetu Łódzkiego
record_format ojs
spelling doab-20.500.12854ir-1563572025-03-07T15:13:11Z Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique Van Herk, Aritha woman artist feminism Dorota Filipczak This paper explores how women who are both critics and artists resist the designations assigned to genre and gender. The alias of caractère unique subverts the academic categories that seek to locate and confine their unique practice and their work. In a set of creative evasions that explore the limitations of brackets and applications, this investigation of ambiguity proceeds as a poetics of digression, working from interviews that Dorota Filipczak conducted with Mieke Bal and Rukmini Bhaya Nair. The result is an excursion into bavardage that is nevertheless an aesthetic disruption of the authority of structure and destination. 2025-03-07T15:13:09Z 2025-03-07T15:13:09Z 2024 chapter ONIX_20250307_9788383313986_2007 9788383313986 9788383313979 https://directory.doabooks.org/handle/20.500.12854/156357 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/874 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8331-397-9.02 10.18778/8331-397-9.02 83bfe9c9-323d-4283-b087-d859fd9af314 9788383313986 9788383313979 15-26 open access
spellingShingle woman
artist
feminism
Dorota Filipczak
Van Herk, Aritha
Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title_full Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title_fullStr Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title_full_unstemmed Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title_short Chapter Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
title_sort chapter aesthetic modes of attack the woman critic artist caractere unique
topic woman
artist
feminism
Dorota Filipczak
topic_facet woman
artist
feminism
Dorota Filipczak
url ONIX_20250307_9788383313986_2007
work_keys_str_mv AT vanherkaritha chapteraestheticmodesofattackthewomancriticartistcaractereunique