Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address
American poet Elizabeth Willis’s award-winning fourth book of poetry Address is a collection inhabited by poisonous plants and witches, tornados and forecasts, bees and blacklists. The opening title poem foregrounds a poetic landscape of diffuse and impalpable lyric subjectivity as Willis writes, “I...
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| Médium: | Online |
| Jazyk: | angličtina |
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| On-line přístup: | ONIX_20250307_9788383313986_2013 |
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| _version_ | 1869530819133964288 |
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| author | Tardi, Mark |
| author_browse | Tardi, Mark |
| author_facet | Tardi, Mark |
| author_sort | Tardi, Mark |
| collection | Directory of Open Access Books |
| description | American poet Elizabeth Willis’s award-winning fourth book of poetry Address is a collection inhabited by poisonous plants and witches, tornados and forecasts, bees and blacklists. The opening title poem foregrounds a poetic landscape of diffuse and impalpable lyric subjectivity as Willis writes, “I is to they . . . / the sun belongs to I / once for an instant / The window belongs to you.” These slurry and slippery pronouns in Willis’s poems not only aim to complicate and critique (historical) representations of women, but may also be giving voice to ghosts, hills, months or shoes. Working within the posthumanist framework of thinkers such as Donna Haraway (When Species Meet), Rosi Braidotti (Nomadic Subjects), and others, this essay seeks to examine Willis’s authorial strategy in presenting the lyric subjects of her poems that toggle between the micro- and macro-scales of human and nonhuman, self and world, invisible and imaginary, biological and alchemical, and private vs. political. Willis’s disruptions of voice and syntax offer a poetics of becoming and undoing where “When the ghost is on you, / you don’t even see it happen.” How does Willis’s animate the invisible in her poems, and, as Michael Palmer wonders, “from what site––or address––can [the poem] possible speak in the profoundly unstable currents of our time?” |
| format | Online |
| id | doab-20.500.12854ir-156363 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1563632025-03-07T15:13:38Z Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address Tardi, Mark woman artist feminism Dorota Filipczak American poet Elizabeth Willis’s award-winning fourth book of poetry Address is a collection inhabited by poisonous plants and witches, tornados and forecasts, bees and blacklists. The opening title poem foregrounds a poetic landscape of diffuse and impalpable lyric subjectivity as Willis writes, “I is to they . . . / the sun belongs to I / once for an instant / The window belongs to you.” These slurry and slippery pronouns in Willis’s poems not only aim to complicate and critique (historical) representations of women, but may also be giving voice to ghosts, hills, months or shoes. Working within the posthumanist framework of thinkers such as Donna Haraway (When Species Meet), Rosi Braidotti (Nomadic Subjects), and others, this essay seeks to examine Willis’s authorial strategy in presenting the lyric subjects of her poems that toggle between the micro- and macro-scales of human and nonhuman, self and world, invisible and imaginary, biological and alchemical, and private vs. political. Willis’s disruptions of voice and syntax offer a poetics of becoming and undoing where “When the ghost is on you, / you don’t even see it happen.” How does Willis’s animate the invisible in her poems, and, as Michael Palmer wonders, “from what site––or address––can [the poem] possible speak in the profoundly unstable currents of our time?” 2025-03-07T15:13:37Z 2025-03-07T15:13:37Z 2024 chapter ONIX_20250307_9788383313986_2013 9788383313986 9788383313979 https://directory.doabooks.org/handle/20.500.12854/156363 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/874 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8331-397-9.08 10.18778/8331-397-9.08 83bfe9c9-323d-4283-b087-d859fd9af314 9788383313986 9788383313979 121-130 open access |
| spellingShingle | woman artist feminism Dorota Filipczak Tardi, Mark Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title | Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title_full | Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title_fullStr | Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title_full_unstemmed | Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title_short | Chapter Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address |
| title_sort | chapter vernacular architecture posthumanist lyric speakers in elizabeth willis s address |
| topic | woman artist feminism Dorota Filipczak |
| topic_facet | woman artist feminism Dorota Filipczak |
| url | ONIX_20250307_9788383313986_2013 |
| work_keys_str_mv | AT tardimark chaptervernaculararchitectureposthumanistlyricspeakersinelizabethwillissaddress |