Chapter The social significance and appeal of opera theatre (17th–19th centuries)
The theatre was not only an artistic institution, a focus for the most important achievements and trends in literature, music, visual arts and dance, but also a very important institution of social life, a space where one could show off, flirt, do business; in a word, the theatre was the place to vi...
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| 格式: | Online |
| 語言: | 波兰语 |
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Wydawnictwo Uniwersytetu Łódzkiego
2025
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| 在線閱讀: | ONIX_20250307_9788383314099_2161 |
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| _version_ | 1869521673695264768 |
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| author | Markiewicz, Grzegorz |
| author_browse | Markiewicz, Grzegorz |
| author_facet | Markiewicz, Grzegorz |
| author_sort | Markiewicz, Grzegorz |
| collection | Directory of Open Access Books |
| description | The theatre was not only an artistic institution, a focus for the most important achievements and trends in literature, music, visual arts and dance, but also a very important institution of social life, a space where one could show off, flirt, do business; in a word, the theatre was the place to visit. Opera was meant to enchant, dazzle and seduce. An opera performance was an extremely expensive investment. Singers, choristers, dancers and musicians had to be paid. Investments had to be made in machinery and special effects. The basic genres were classical opera and comic opera. These took different forms, particularly divergent in Italy and France. |
| format | Online |
| id | doab-20.500.12854ir-156511 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1565112025-03-07T15:23:19Z Chapter The social significance and appeal of opera theatre (17th–19th centuries) Markiewicz, Grzegorz city ethnographic research cultural anthropology city in an interdisciplinary perspective urban studies The theatre was not only an artistic institution, a focus for the most important achievements and trends in literature, music, visual arts and dance, but also a very important institution of social life, a space where one could show off, flirt, do business; in a word, the theatre was the place to visit. Opera was meant to enchant, dazzle and seduce. An opera performance was an extremely expensive investment. Singers, choristers, dancers and musicians had to be paid. Investments had to be made in machinery and special effects. The basic genres were classical opera and comic opera. These took different forms, particularly divergent in Italy and France. 2025-03-07T15:23:17Z 2025-03-07T15:23:17Z 2023 chapter ONIX_20250307_9788383314099_2161 9788383314099 9788383314082 https://directory.doabooks.org/handle/20.500.12854/156511 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/763 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8331-408-2.20 The theatre was not only an artistic institution, a focus for the most important achievements and trends in literature, music, visual arts and dance, but also a very important institution of social life, a space where one could show off, flirt, do business; in a word, the theatre was the place to visit. Opera was meant to enchant, dazzle and seduce. An opera performance was an extremely expensive investment. Singers, choristers, dancers and musicians had to be paid. Investments had to be made in machinery and special effects. The basic genres were classical opera and comic opera. These took different forms, particularly divergent in Italy and France. 10.18778/8331-408-2.20 83bfe9c9-323d-4283-b087-d859fd9af314 9788383314099 9788383314082 323-338 open access |
| spellingShingle | city ethnographic research cultural anthropology city in an interdisciplinary perspective urban studies Markiewicz, Grzegorz Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title | Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title_full | Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title_fullStr | Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title_full_unstemmed | Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title_short | Chapter The social significance and appeal of opera theatre (17th–19th centuries) |
| title_sort | chapter the social significance and appeal of opera theatre 17th 19th centuries |
| topic | city ethnographic research cultural anthropology city in an interdisciplinary perspective urban studies |
| topic_facet | city ethnographic research cultural anthropology city in an interdisciplinary perspective urban studies |
| url | ONIX_20250307_9788383314099_2161 |
| work_keys_str_mv | AT markiewiczgrzegorz chapterthesocialsignificanceandappealofoperatheatre17th19thcenturies |