Chapter A silent sacrum in the painting of Stefan Gierowski
The article focuses on the presence of the sacred in the works of Stefan Gierowski. The phenomenon of the presence of spirituality is analysed on the basis of several works belonging to the cycle Painting the Ten Commandments (1986–1987). The cycle originated as a visual interpretation of the Decalo...
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| פורמט: | Online |
| שפה: | פולנית |
| יצא לאור: |
Wydawnictwo Uniwersytetu Łódzkiego
2025
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| גישה מקוונת: | ONIX_20250307_9788383316673_2375 |
| תגים: |
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
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| _version_ | 1869514153508470784 |
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| author | Jagnicka, Olga |
| author_browse | Jagnicka, Olga |
| author_facet | Jagnicka, Olga |
| author_sort | Jagnicka, Olga |
| collection | Directory of Open Access Books |
| description | The article focuses on the presence of the sacred in the works of Stefan Gierowski. The phenomenon of the presence of spirituality is analysed on the basis of several works belonging to the cycle Painting the Ten Commandments (1986–1987). The cycle originated as a visual interpretation of the Decalogue. The artist interprets the theme taken up through the language of form and colour, expressing his conviction that through the language of abstract art it is possible to fully depict the sphere of spirituality. I analysed selected four works from the cycle, in which, in addition to showing their relationship to the biblical Decalogue, the aspect of silence and contemplative experience was highlighted. Purity, clarity of compositions characterising Gierowski’s painting cycle is a artistic response to fundamental moral rights. The main objective of the article is to show how art can produce a contemplative experience and convey the value of silence in the modern man’s environment. |
| format | Online |
| id | doab-20.500.12854ir-156734 |
| institution | Directory of Open Access Books |
| language | pol |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1567342025-03-07T15:37:40Z Chapter A silent sacrum in the painting of Stefan Gierowski Jagnicka, Olga The article focuses on the presence of the sacred in the works of Stefan Gierowski. The phenomenon of the presence of spirituality is analysed on the basis of several works belonging to the cycle Painting the Ten Commandments (1986–1987). The cycle originated as a visual interpretation of the Decalogue. The artist interprets the theme taken up through the language of form and colour, expressing his conviction that through the language of abstract art it is possible to fully depict the sphere of spirituality. I analysed selected four works from the cycle, in which, in addition to showing their relationship to the biblical Decalogue, the aspect of silence and contemplative experience was highlighted. Purity, clarity of compositions characterising Gierowski’s painting cycle is a artistic response to fundamental moral rights. The main objective of the article is to show how art can produce a contemplative experience and convey the value of silence in the modern man’s environment. 2025-03-07T15:37:38Z 2025-03-07T15:37:38Z 2024 chapter ONIX_20250307_9788383316673_2375 9788383316673 9788383316666 https://directory.doabooks.org/handle/20.500.12854/156734 pol image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.press.uni.lodz.pl/index.php/wul/catalog/book/1219 Wydawnictwo Uniwersytetu Łódzkiego 10.18778/8331-666-6.18 The article focuses on the presence of the sacred in the works of Stefan Gierowski. The phenomenon of the presence of spirituality is analysed on the basis of several works belonging to the cycle Painting the Ten Commandments (1986–1987). The cycle originated as a visual interpretation of the Decalogue. The artist interprets the theme taken up through the language of form and colour, expressing his conviction that through the language of abstract art it is possible to fully depict the sphere of spirituality. I analysed selected four works from the cycle, in which, in addition to showing their relationship to the biblical Decalogue, the aspect of silence and contemplative experience was highlighted. Purity, clarity of compositions characterising Gierowski’s painting cycle is a artistic response to fundamental moral rights. The main objective of the article is to show how art can produce a contemplative experience and convey the value of silence in the modern man’s environment. 10.18778/8331-666-6.18 83bfe9c9-323d-4283-b087-d859fd9af314 9788383316673 9788383316666 385-412 open access |
| spellingShingle | Jagnicka, Olga Chapter A silent sacrum in the painting of Stefan Gierowski |
| title | Chapter A silent sacrum in the painting of Stefan Gierowski |
| title_full | Chapter A silent sacrum in the painting of Stefan Gierowski |
| title_fullStr | Chapter A silent sacrum in the painting of Stefan Gierowski |
| title_full_unstemmed | Chapter A silent sacrum in the painting of Stefan Gierowski |
| title_short | Chapter A silent sacrum in the painting of Stefan Gierowski |
| title_sort | chapter a silent sacrum in the painting of stefan gierowski |
| url | ONIX_20250307_9788383316673_2375 |
| work_keys_str_mv | AT jagnickaolga chapterasilentsacruminthepaintingofstefangierowski |