Feeling Colour

The shift back from quasi monochrome to coloured motion picture during the 1950s and 1960s famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies...

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Detalles Bibliográficos

Autor principal:	Lameris, Bregtje
Formato:	Online
Lenguaje:	inglés
Publicado:	Open Book Publishers 2025
Materias:	Colour film;Film studies;Mid-20th-century culture;Cross-modal synesthesia;Colour psychology;psychedelic culture thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles::AGZC Colours and colour theory
Acceso en línea:	https://library.oapen.org/handle/20.500.12657/99328
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