Essays on Native Modernism

Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20t...

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Materialtyp: Online
Språk:engelska
Utgiven: NMAI Smithsonian Institution 2025
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Länkar:https://library.oapen.org/handle/20.500.12657/99961
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collection Directory of Open Access Books
description Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20th-century art—as well as investigates the basis of a Native modernism by eliciting a broad discussion about the critical perspectives and practices of Native artists across North America. Also examined is the place of Native modernism in the canon of American art and the currents of influence between them.
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institution Directory of Open Access Books
language eng
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher NMAI Smithsonian Institution
publisherStr NMAI Smithsonian Institution
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spelling doab-20.500.12854ir-1574262025-07-30T18:28:10Z Essays on Native Modernism Mugnai, Niccolò Art History Modern (Late 19th Century to 1945) Art Indigenous Art Of The Americas bic Book Industry Communication::A The arts::AC History of art / art & design styles bic Book Industry Communication::A The arts::AC History of art / art & design styles Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20th-century art—as well as investigates the basis of a Native modernism by eliciting a broad discussion about the critical perspectives and practices of Native artists across North America. Also examined is the place of Native modernism in the canon of American art and the currents of influence between them. 2025-03-15T15:11:37Z 2025-03-15T15:11:37Z 2025-03-14T05:32:22Z 2006 book https://library.oapen.org/handle/20.500.12657/99961 9781933565323 https://directory.doabooks.org/handle/20.500.12854/157426 eng open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/99961/1/external_content.pdf NMAI Smithsonian Institution Knowledge Unlatched 9781933565323 Knowledge Unlatched (KU) KU Open Services NMAI Smithsonian Institution open access
spellingShingle Art
History
Modern (Late 19th Century to 1945)
Art
Indigenous Art Of The Americas
bic Book Industry Communication::A The arts::AC History of art / art & design styles
bic Book Industry Communication::A The arts::AC History of art / art & design styles
Essays on Native Modernism
title Essays on Native Modernism
title_full Essays on Native Modernism
title_fullStr Essays on Native Modernism
title_full_unstemmed Essays on Native Modernism
title_short Essays on Native Modernism
title_sort essays on native modernism
topic Art
History
Modern (Late 19th Century to 1945)
Art
Indigenous Art Of The Americas
bic Book Industry Communication::A The arts::AC History of art / art & design styles
bic Book Industry Communication::A The arts::AC History of art / art & design styles
topic_facet Art
History
Modern (Late 19th Century to 1945)
Art
Indigenous Art Of The Americas
bic Book Industry Communication::A The arts::AC History of art / art & design styles
bic Book Industry Communication::A The arts::AC History of art / art & design styles
url https://library.oapen.org/handle/20.500.12657/99961