The Screens of Virtual Production
This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in v...
में बचाया:
| स्वरूप: | Online |
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| भाषा: | अंग्रेज़ी |
| प्रकाशित: |
Taylor & Francis
2025
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| विषय: | |
| ऑनलाइन पहुंच: | https://library.oapen.org/handle/20.500.12657/100176 |
| टैग: |
कोई टैग नहीं, इस रिकॉर्ड को टैग करने वाले पहले व्यक्ति बनें!
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| _version_ | 1869525325547831296 |
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| collection | Directory of Open Access Books |
| description | This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in virtual production, as a provocative one, implicitly drawing on the philosophies of the moving image and the recent work on new forms of post-human perceptual realism.This edited collection is divided into the following four themed sections. Section One, It’s Always Been Real: Contemporising Virtual Production, addresses the histories of film realism in relationship to visual technologies, providing both a theoretical and philosophical ‘anchor’ point for the collection, and a necessary genealogy. Section Two, The Body Becomes You: Performing Virtual Production, examines the transformation that occurs in immersive virtual worlds, while also exploring how the body is itself virtualised. Section Three, Skin Deep: Gazing with Virtual Production, addresses the way race, ethnicity, gender and environment are supposedly equalised, and yet are still found to reproduce the colonised looking regimes of western, mainstream screen culture. Section Four, Whose Work? Labouring with Virtual Production, draws together writing that examines the way production processes have been transformed, affecting not only work patterns but also the way aesthetics, form and function, operate.
This book encompasses many production themes and will appeal to media students and professionals interested in the production of film. |
| format | Online |
| id | doab-20.500.12854ir-157581 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1575812025-06-24T06:00:14Z The Screens of Virtual Production Mitchell, Sian Perry, Colin Redmond, Sean Torre, Lienors Film production,Pre-production,Post-production,screen-making,storytelling,narrative,television,film,animation,visual effects thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides::CBVS Screenwriting techniques This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in virtual production, as a provocative one, implicitly drawing on the philosophies of the moving image and the recent work on new forms of post-human perceptual realism.This edited collection is divided into the following four themed sections. Section One, It’s Always Been Real: Contemporising Virtual Production, addresses the histories of film realism in relationship to visual technologies, providing both a theoretical and philosophical ‘anchor’ point for the collection, and a necessary genealogy. Section Two, The Body Becomes You: Performing Virtual Production, examines the transformation that occurs in immersive virtual worlds, while also exploring how the body is itself virtualised. Section Three, Skin Deep: Gazing with Virtual Production, addresses the way race, ethnicity, gender and environment are supposedly equalised, and yet are still found to reproduce the colonised looking regimes of western, mainstream screen culture. Section Four, Whose Work? Labouring with Virtual Production, draws together writing that examines the way production processes have been transformed, affecting not only work patterns but also the way aesthetics, form and function, operate. This book encompasses many production themes and will appeal to media students and professionals interested in the production of film. 2025-03-20T19:00:04Z 2025-03-20T19:00:04Z 2025-03-19T11:05:07Z 2025 book https://library.oapen.org/handle/20.500.12657/100176 9781003463139 9781032732176 9781032730721 https://directory.doabooks.org/handle/20.500.12854/157581 eng open access Taylor & Francis Routledge 10.4324/9781003463139 10.4324/9781003463139 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Chapter 11 Photogrammetric Race‑Making in the MetaHuman Creator 9781003463139 9781032732176 9781032730721 Routledge open access |
| spellingShingle | Film production,Pre-production,Post-production,screen-making,storytelling,narrative,television,film,animation,visual effects thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides::CBVS Screenwriting techniques The Screens of Virtual Production |
| title | The Screens of Virtual Production |
| title_full | The Screens of Virtual Production |
| title_fullStr | The Screens of Virtual Production |
| title_full_unstemmed | The Screens of Virtual Production |
| title_short | The Screens of Virtual Production |
| title_sort | screens of virtual production |
| topic | Film production,Pre-production,Post-production,screen-making,storytelling,narrative,television,film,animation,visual effects thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides::CBVS Screenwriting techniques |
| topic_facet | Film production,Pre-production,Post-production,screen-making,storytelling,narrative,television,film,animation,visual effects thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides::CBVS Screenwriting techniques |
| url | https://library.oapen.org/handle/20.500.12657/100176 |