Transcending Textuality

In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions...

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Autor principal: García-Bryce, Ariadna
Format: Online
Idioma:anglès
Publicat: Penn State University Press 2025
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Accés en línia:ONIX_20250417_9780271078649_28
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author García-Bryce, Ariadna
author_browse García-Bryce, Ariadna
author_facet García-Bryce, Ariadna
author_sort García-Bryce, Ariadna
collection Directory of Open Access Books
description In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.
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language eng
publishDate 2025
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publisherStr Penn State University Press
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spelling doab-20.500.12854ir-1585732025-04-18T04:09:31Z Transcending Textuality García-Bryce, Ariadna Literature: history and criticism General and world history European history Political science and theory In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display. 2025-04-18T04:09:30Z 2025-04-18T04:09:30Z 2025-04-17T09:48:20Z 2011 book ONIX_20250417_9780271078649_28 https://library.oapen.org/handle/20.500.12657/100918 9780271078649 9780271037752 https://directory.doabooks.org/handle/20.500.12854/158573 eng Penn State Romance Studies open access image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/100918/1/9780271078649.pdf Penn State University Press Penn State University Press e4e05b94-0f85-49a1-ba66-543b1dd40087 Penn State University 25eaec65-b556-4602-ba6d-ed286e74dde5 9780271078649 9780271037752 Penn State University Press 176 University Park [...] open access
spellingShingle Literature: history and criticism
General and world history
European history
Political science and theory
García-Bryce, Ariadna
Transcending Textuality
title Transcending Textuality
title_full Transcending Textuality
title_fullStr Transcending Textuality
title_full_unstemmed Transcending Textuality
title_short Transcending Textuality
title_sort transcending textuality
topic Literature: history and criticism
General and world history
European history
Political science and theory
topic_facet Literature: history and criticism
General and world history
European history
Political science and theory
url ONIX_20250417_9780271078649_28
work_keys_str_mv AT garciabryceariadna transcendingtextuality