Reconstructing Woman

Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and...

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मुख्य लेखक: Kelly, Dorothy
स्वरूप: Online
भाषा:अंग्रेज़ी
प्रकाशित: Penn State University Press 2025
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ऑनलाइन पहुंच:ONIX_20250417_9780271034966_11
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author Kelly, Dorothy
author_browse Kelly, Dorothy
author_facet Kelly, Dorothy
author_sort Kelly, Dorothy
collection Directory of Open Access Books
description Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only “L’Eve future” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman.
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spelling doab-20.500.12854ir-1586222025-04-18T04:26:40Z Reconstructing Woman Kelly, Dorothy Literature: history and criticism Gender studies: women and girls Gender studies, gender groups Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only “L’Eve future” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman. 2025-04-18T04:26:38Z 2025-04-18T04:26:38Z 2025-04-17T09:47:35Z 2007 book ONIX_20250417_9780271034966_11 https://library.oapen.org/handle/20.500.12657/100901 9780271034966 9780271032665 https://directory.doabooks.org/handle/20.500.12854/158622 eng Penn State Romance Studies open access image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/100901/1/9780271034966.pdf Penn State University Press Penn State University Press e4e05b94-0f85-49a1-ba66-543b1dd40087 Penn State University 25eaec65-b556-4602-ba6d-ed286e74dde5 9780271034966 9780271032665 Penn State University Press 184 University Park [...] open access
spellingShingle Literature: history and criticism
Gender studies: women and girls
Gender studies, gender groups
Kelly, Dorothy
Reconstructing Woman
title Reconstructing Woman
title_full Reconstructing Woman
title_fullStr Reconstructing Woman
title_full_unstemmed Reconstructing Woman
title_short Reconstructing Woman
title_sort reconstructing woman
topic Literature: history and criticism
Gender studies: women and girls
Gender studies, gender groups
topic_facet Literature: history and criticism
Gender studies: women and girls
Gender studies, gender groups
url ONIX_20250417_9780271034966_11
work_keys_str_mv AT kellydorothy reconstructingwoman