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Chapter 4 “The Mirror up to Nature”

Clear mirrors and The Geneva Bible revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of c...

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Salvato in:
Autore principale: Evans, Edward
Natura: Online
Lingua:inglese
Pubblicazione: Taylor & Francis 2025
Soggetti:
Shakespeare,hamlet,early modern literature,metadrama,soliloquy
thema EDItEUR::D Biography, Literature and Literary studies::DD Plays, playscripts::DDA Classic and pre-20th century plays
thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PX Relating to specific and significant cultural interests
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
Accesso online:https://library.oapen.org/handle/20.500.12657/102211
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Riassunto:Clear mirrors and The Geneva Bible revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.

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