Westkunst, 1981

In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 [Western Art: Contemporary Art since 1939]. Organised by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charge...

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प्रकाशित: Éditions de la Maison des sciences de l’homme 2025
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ऑनलाइन पहुंच:ONIX_20250703T162151_9782735130580_36
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collection Directory of Open Access Books
description In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 [Western Art: Contemporary Art since 1939]. Organised by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charged themes of freedom and individual expression. By examining Westkunst’s historiographical stakes in light of the Iron Curtain division of Europe, the show is revealed in this collective volume as paradigmatic of the ways in which hegemonic concepts of ‘Western art’ and the accompanying processes of othering were fashioned in the art world. Westkunst’s universalising claims are scrutinised here by focusing on the artistic tendencies exhibited; on exhibitionary discourses and practices of decontextualisation, comparison, and appropriation; on the alleged realisation of the values of progress, freedom, and autonomy; on the enacted conceptions of temporality and the architectural devices of narrativisation; and on the exhibition’s blind spots and exclusions and the critical reactions it elicited. This analytic output makes fresh use of the archival materials, which are neither centralised nor systematised, with significant excerpts republished throughout the book. Seen through the lens of exhibition history, this revisiting of Westkunst sheds light on a broader trend of cultural conservatism that was gaining strength in the 1980s, just before the end of the Cold War, and on the start of new forms of globalisation.
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language eng
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Éditions de la Maison des sciences de l’homme
publisherStr Éditions de la Maison des sciences de l’homme
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spelling doab-20.500.12854ir-1619932025-07-03T14:41:21Z Westkunst, 1981 Arnoux, Mathilde Bremer, Maria art history Cold War contemporary art curatorial studies exhibition exhibition history Germany modern art museology historiography universalism contemporaneity occidentalism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::N History and Archaeology::NH History::NHD European history In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 [Western Art: Contemporary Art since 1939]. Organised by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charged themes of freedom and individual expression. By examining Westkunst’s historiographical stakes in light of the Iron Curtain division of Europe, the show is revealed in this collective volume as paradigmatic of the ways in which hegemonic concepts of ‘Western art’ and the accompanying processes of othering were fashioned in the art world. Westkunst’s universalising claims are scrutinised here by focusing on the artistic tendencies exhibited; on exhibitionary discourses and practices of decontextualisation, comparison, and appropriation; on the alleged realisation of the values of progress, freedom, and autonomy; on the enacted conceptions of temporality and the architectural devices of narrativisation; and on the exhibition’s blind spots and exclusions and the critical reactions it elicited. This analytic output makes fresh use of the archival materials, which are neither centralised nor systematised, with significant excerpts republished throughout the book. Seen through the lens of exhibition history, this revisiting of Westkunst sheds light on a broader trend of cultural conservatism that was gaining strength in the 1980s, just before the end of the Cold War, and on the start of new forms of globalisation. 2025-07-03T14:41:20Z 2025-07-03T14:41:20Z 2025 book ONIX_20250703T162151_9782735130580_36 9782735130580 9782735130573 https://directory.doabooks.org/handle/20.500.12854/161993 eng Passages image/jpeg n/a https://www.7switch.com/fr/ebook/9782735130580/from/openedition https://books.openedition.org/editionsmsh/77128 Éditions de la Maison des sciences de l’homme 10.4000/13rop 10.4000/13rop 2990638d-1959-49aa-a90a-3c208956c890 9782735130580 9782735130573 384 Paris open access
spellingShingle art history
Cold War
contemporary art
curatorial studies
exhibition
exhibition history
Germany
modern art
museology
historiography
universalism
contemporaneity
occidentalism
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::N History and Archaeology::NH History::NHD European history
Westkunst, 1981
title Westkunst, 1981
title_full Westkunst, 1981
title_fullStr Westkunst, 1981
title_full_unstemmed Westkunst, 1981
title_short Westkunst, 1981
title_sort westkunst 1981
topic art history
Cold War
contemporary art
curatorial studies
exhibition
exhibition history
Germany
modern art
museology
historiography
universalism
contemporaneity
occidentalism
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::N History and Archaeology::NH History::NHD European history
topic_facet art history
Cold War
contemporary art
curatorial studies
exhibition
exhibition history
Germany
modern art
museology
historiography
universalism
contemporaneity
occidentalism
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::N History and Archaeology::NH History::NHD European history
url ONIX_20250703T162151_9782735130580_36