La grande famille de Koreeda Hirokazu
Koreeda Hirokazu, a major figure in Japanese film history who was awarded the Palme d’Or at the Cannes Film Festival in 2018, has achieved considerable commercial success as an independent filmmaker. His films delicately explore the challenges we all face nowadays in Japan and, more broadly, in our...
में बचाया:
| मुख्य लेखक: | |
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| स्वरूप: | Online |
| भाषा: | फ़्रेंच |
| प्रकाशित: |
ENS Éditions
2025
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| विषय: | |
| ऑनलाइन पहुंच: | ONIX_20250703T162151_9791036208430_79 |
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| _version_ | 1869521402470596608 |
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| author | Yokota, Raphaëlle |
| author_browse | Yokota, Raphaëlle |
| author_facet | Yokota, Raphaëlle |
| author_sort | Yokota, Raphaëlle |
| collection | Directory of Open Access Books |
| description | Koreeda Hirokazu, a major figure in Japanese film history who was awarded the Palme d’Or at the Cannes Film Festival in 2018, has achieved considerable commercial success as an independent filmmaker. His films delicately explore the challenges we all face nowadays in Japan and, more broadly, in our societies of advanced capitalism.Known and renowned both in Japan and internationally for his deep interest in family, his most famous chronicles—Nobody Knows, Like Father Like Son, Shoplifters…—as well as his genre films—Air Doll, The Third Murder, Monster…—go beyond mere thematic illustration. By adopting the points of view of populations usually invisible in mainstream representations—women, children, and the elderly—his films invite us to reconsider how we perceive today’s social realities.This book questions the power of film in social history and explores its capacities as a response to contemporary social anxieties and as a tool of reappropriation for every viewer. By setting up alternative points of view, Koreeda’s work opens a space between the film and the viewer, thus allowing a reorganisation of our relation to others and reality, just as the ideal family would. Yet, ideal does not mean perfect. |
| format | Online |
| id | doab-20.500.12854ir-162036 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | ENS Éditions |
| publisherStr | ENS Éditions |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1620362025-07-03T14:43:10Z La grande famille de Koreeda Hirokazu Yokota, Raphaëlle film history feminism gender gender studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Koreeda Hirokazu, a major figure in Japanese film history who was awarded the Palme d’Or at the Cannes Film Festival in 2018, has achieved considerable commercial success as an independent filmmaker. His films delicately explore the challenges we all face nowadays in Japan and, more broadly, in our societies of advanced capitalism.Known and renowned both in Japan and internationally for his deep interest in family, his most famous chronicles—Nobody Knows, Like Father Like Son, Shoplifters…—as well as his genre films—Air Doll, The Third Murder, Monster…—go beyond mere thematic illustration. By adopting the points of view of populations usually invisible in mainstream representations—women, children, and the elderly—his films invite us to reconsider how we perceive today’s social realities.This book questions the power of film in social history and explores its capacities as a response to contemporary social anxieties and as a tool of reappropriation for every viewer. By setting up alternative points of view, Koreeda’s work opens a space between the film and the viewer, thus allowing a reorganisation of our relation to others and reality, just as the ideal family would. Yet, ideal does not mean perfect. 2025-07-03T14:43:09Z 2025-07-03T14:43:09Z 2025 book ONIX_20250703T162151_9791036208430_79 9791036208430 9791036208416 https://directory.doabooks.org/handle/20.500.12854/162036 fre Tohu Bohu image/jpeg n/a https://www.7switch.com/fr/ebook/9791036208430/from/openedition https://books.openedition.org/enseditions/62477 ENS Éditions 10.4000/13gsg Koreeda Hirokazu, a major figure in Japanese film history who was awarded the Palme d’Or at the Cannes Film Festival in 2018, has achieved considerable commercial success as an independent filmmaker. His films delicately explore the challenges we all face nowadays in Japan and, more broadly, in our societies of advanced capitalism.Known and renowned both in Japan and internationally for his deep interest in family, his most famous chronicles—Nobody Knows, Like Father Like Son, Shoplifters…—as well as his genre films—Air Doll, The Third Murder, Monster…—go beyond mere thematic illustration. By adopting the points of view of populations usually invisible in mainstream representations—women, children, and the elderly—his films invite us to reconsider how we perceive today’s social realities.This book questions the power of film in social history and explores its capacities as a response to contemporary social anxieties and as a tool of reappropriation for every viewer. By setting up alternative points of view, Koreeda’s work opens a space between the film and the viewer, thus allowing a reorganisation of our relation to others and reality, just as the ideal family would. Yet, ideal does not mean perfect. 10.4000/13gsg 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036208430 9791036208416 215 Lyon open access |
| spellingShingle | film history feminism gender gender studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Yokota, Raphaëlle La grande famille de Koreeda Hirokazu |
| title | La grande famille de Koreeda Hirokazu |
| title_full | La grande famille de Koreeda Hirokazu |
| title_fullStr | La grande famille de Koreeda Hirokazu |
| title_full_unstemmed | La grande famille de Koreeda Hirokazu |
| title_short | La grande famille de Koreeda Hirokazu |
| title_sort | la grande famille de koreeda hirokazu |
| topic | film history feminism gender gender studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| topic_facet | film history feminism gender gender studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| url | ONIX_20250703T162151_9791036208430_79 |
| work_keys_str_mv | AT yokotaraphaelle lagrandefamilledekoreedahirokazu |