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Renaissance skin

Skin in the Renaissance was understood very differently from the skin we know today. In the humoural world of Europe between 1500 and 1700, it was the clothing of the body, a net or a web. It was the skin that forms on hot milk or gruel as it cooled; it was dried polenta, bark, apple peel and the ve...

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Salvato in:
Autore principale: Welch, Evelyn
Natura: Online
Lingua:inglese
Pubblicazione: Manchester University Press 2025
Soggetti:
the Renaissance; early modern period; depictions of skin; cultural history of skin; skin diseases; Renaissance art; Wellcome Trust Senior Investigator Award; baldness; pox; animal skin; cosmetics; clothing; Titian; Wenceslaus Hollar; Jean Michelin; Rembrandt van Rijn; Pieter Bruegel the Younger; Pieter Aertsen; Joachim Beuckelaer; tanning; Mattia Giegher; art history; material culture; fashion history; Wolfson History Prize; skin; medical humanities; history of medicine; Renaissance Europe; early modern Europe; smallpox; history of skin colour and race; history of slavery; history of microscopy; history of science
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6R Styles (R)::6RC Renaissance style
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGH Human figures depicted in art
Accesso online:https://library.oapen.org/handle/20.500.12657/104016
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https://library.oapen.org/handle/20.500.12657/104016

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