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Non-binäre Identitäten und Konzepte in Literatur; Musik und Kunst um 1900

This interdisciplinary and comparative study focuses on non-binary concepts in modern art. Its goal is to rethink dichotomies and to emphasise the non-relevance of binary ways of thinking in certain situations. It thus intends the transitions between polarities to become more visible; in the same wa...

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Format: Online
Sprog:tysk
Udgivet: Nomos Verlagsgesellschaft mbH & Co. KG 2025
Fag:
Globalization
art
diversification
literature
complexity
gender identities
polarities
internationality
artistic modernity
binaries
cultural classifications
nature aesthetics
non-binary identities
popularization
Online adgang:ONIX_20250718T111850_9783968219219_42
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Summary:This interdisciplinary and comparative study focuses on non-binary concepts in modern art. Its goal is to rethink dichotomies and to emphasise the non-relevance of binary ways of thinking in certain situations. It thus intends the transitions between polarities to become more visible; in the same way that they were already evident in aesthetic productions around 1900. The study focuses on non-binary gender identities; but also questions binaries in relation to cultural classifications; e.g. with regard to internationality or popularisation; and the reformulation of natural aesthetics. The complexity of artistic modernity is shown as an interface for the beginning of globalisation and cultural diversification.

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