Cultural Production of Hallyu in the Digital Platform Era
Cultural Production of Hallyu in the Digital Platform Era explores how histories, industry structures, and politics interact in the platformization of the Korean Wave. Dal Yong Jin argues that while much research centers on the Korean culture takeover and the dominance of Korean products on premier...
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| フォーマット: | Online |
| 言語: | 英語 |
| 出版事項: |
University of Michigan Press
2025
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| 主題: | |
| オンライン･アクセス: | https://library.oapen.org/handle/20.500.12657/104324 |
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| _version_ | 1869518846047551488 |
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| author | Jin, Dal Yong |
| author_browse | Jin, Dal Yong |
| author_facet | Jin, Dal Yong |
| author_sort | Jin, Dal Yong |
| collection | Directory of Open Access Books |
| description | Cultural Production of Hallyu in the Digital Platform Era explores how histories, industry structures, and politics interact in the platformization of the Korean Wave. Dal Yong Jin argues that while much research centers on the Korean culture takeover and the dominance of Korean products on premier global media platforms, Korean cultural industries also experience reshaping and changing depending on the platforms, often on the global stage.
Addressing the increasing significance of digital platforms, this work examines the transformative roles of over-the-top streaming services—Netflix, Viki, and V Live—video-sharing platforms such as YouTube, and social media platforms such as TikTok and Instagram, and the power relations between content producers, information technology sectors, the government, creative laborers, and audiences in the globalization of Korean culture and media. By developing critical cultural industries studies as a new theoretical framework, Cultural Production of Hallyu in the Digital Platform Era explores the ever-growing Korean Wave phenomenon with the advent of global digital platforms. |
| format | Online |
| id | doab-20.500.12854ir-163219 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | University of Michigan Press |
| publisherStr | University of Michigan Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1632192025-08-04T05:06:51Z Cultural Production of Hallyu in the Digital Platform Era Jin, Dal Yong cultural production, the Korean Wave, the New Korean Wave, Hallyu, cultural industries, critical cultural industries studies, Netflix, cultural industries policy, platformization, cultural sustainability, Netflix effects, Weverse, fandom, Korean dramas thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History::NHF Asian history thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture Cultural Production of Hallyu in the Digital Platform Era explores how histories, industry structures, and politics interact in the platformization of the Korean Wave. Dal Yong Jin argues that while much research centers on the Korean culture takeover and the dominance of Korean products on premier global media platforms, Korean cultural industries also experience reshaping and changing depending on the platforms, often on the global stage. Addressing the increasing significance of digital platforms, this work examines the transformative roles of over-the-top streaming services—Netflix, Viki, and V Live—video-sharing platforms such as YouTube, and social media platforms such as TikTok and Instagram, and the power relations between content producers, information technology sectors, the government, creative laborers, and audiences in the globalization of Korean culture and media. By developing critical cultural industries studies as a new theoretical framework, Cultural Production of Hallyu in the Digital Platform Era explores the ever-growing Korean Wave phenomenon with the advent of global digital platforms. 2025-07-29T21:15:51Z 2025-07-29T21:15:51Z 2025-07-21T11:52:29Z 2025 book https://library.oapen.org/handle/20.500.12657/104324 9780472077564 9780472057566 https://directory.doabooks.org/handle/20.500.12854/163219 eng open access image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/104324/1/9780472905126.pdf https://library.oapen.org/bitstream/20.500.12657/104324/1/9780472905126.pdf University of Michigan Press 10.3998/mpub.14416305 10.3998/mpub.14416305 b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472077564 9780472057566 217 open access |
| spellingShingle | cultural production, the Korean Wave, the New Korean Wave, Hallyu, cultural industries, critical cultural industries studies, Netflix, cultural industries policy, platformization, cultural sustainability, Netflix effects, Weverse, fandom, Korean dramas thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History::NHF Asian history thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture Jin, Dal Yong Cultural Production of Hallyu in the Digital Platform Era |
| title | Cultural Production of Hallyu in the Digital Platform Era |
| title_full | Cultural Production of Hallyu in the Digital Platform Era |
| title_fullStr | Cultural Production of Hallyu in the Digital Platform Era |
| title_full_unstemmed | Cultural Production of Hallyu in the Digital Platform Era |
| title_short | Cultural Production of Hallyu in the Digital Platform Era |
| title_sort | cultural production of hallyu in the digital platform era |
| topic | cultural production, the Korean Wave, the New Korean Wave, Hallyu, cultural industries, critical cultural industries studies, Netflix, cultural industries policy, platformization, cultural sustainability, Netflix effects, Weverse, fandom, Korean dramas thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History::NHF Asian history thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture |
| topic_facet | cultural production, the Korean Wave, the New Korean Wave, Hallyu, cultural industries, critical cultural industries studies, Netflix, cultural industries policy, platformization, cultural sustainability, Netflix effects, Weverse, fandom, Korean dramas thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History::NHF Asian history thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture |
| url | https://library.oapen.org/handle/20.500.12657/104324 |
| work_keys_str_mv | AT jindalyong culturalproductionofhallyuinthedigitalplatformera |