Chapter Державин и эзоповская традиция в XVIII веке

Derzhavin and the Aesopian Tradition in the Eighteenth Century. The literary tradition of the fable genre emerged and developed in the 18th century, starting from A. Kantemir, through the formal experiments of Trediakovskij and Lomonosov, Sumarokov’s “sklonenie na russkie nravy”, and the subsequent...

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Main Author: Venditti, Michela
Format: Online
Language:Russian
Published: Firenze University Press 2025
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Online Access:ONIX_20250801T173835_9791221505856_120
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author Venditti, Michela
author_browse Venditti, Michela
author_facet Venditti, Michela
author_sort Venditti, Michela
collection Directory of Open Access Books
description Derzhavin and the Aesopian Tradition in the Eighteenth Century. The literary tradition of the fable genre emerged and developed in the 18th century, starting from A. Kantemir, through the formal experiments of Trediakovskij and Lomonosov, Sumarokov’s “sklonenie na russkie nravy”, and the subsequent original elaboration by undisputed Russian representative I. Krylov. The article examines G. R. Derzhavin’s fable production in the context of the genre’s reception in 18th-century Russia. Derzhavin’s fables were published posthumously and have been little studied to this day. Overall, the poet composed 24 fables, 4 of which are based on the elaboration of Aesopian subjects. The latter are specific subjects of analysis through their comparison with previous literary versions. The work demonstrates how Derzhavin’ Aesopian fables versions are original and interesting as echoes of his creative evolution.
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publisherStr Firenze University Press
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spelling doab-20.500.12854ir-1633122025-08-02T05:01:51Z Chapter Державин и эзоповская традиция в XVIII веке Venditti, Michela Derzhavin fables Aesop Sumarokov Krylov La Fontaine Derzhavin and the Aesopian Tradition in the Eighteenth Century. The literary tradition of the fable genre emerged and developed in the 18th century, starting from A. Kantemir, through the formal experiments of Trediakovskij and Lomonosov, Sumarokov’s “sklonenie na russkie nravy”, and the subsequent original elaboration by undisputed Russian representative I. Krylov. The article examines G. R. Derzhavin’s fable production in the context of the genre’s reception in 18th-century Russia. Derzhavin’s fables were published posthumously and have been little studied to this day. Overall, the poet composed 24 fables, 4 of which are based on the elaboration of Aesopian subjects. The latter are specific subjects of analysis through their comparison with previous literary versions. The work demonstrates how Derzhavin’ Aesopian fables versions are original and interesting as echoes of his creative evolution. 2025-08-02T05:01:50Z 2025-08-02T05:01:50Z 2025-08-01T15:47:59Z 2024 chapter ONIX_20250801T173835_9791221505856_120 2612-7679 https://library.oapen.org/handle/20.500.12657/104670 9791221505856 https://directory.doabooks.org/handle/20.500.12854/163312 rus Biblioteca di Studi Slavistici open access image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/104670/1/44389.pdf Firenze University Press 10.36253/979-12-215-0585-6.31 10.36253/979-12-215-0585-6.31 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9791221505856 11 Florence open access
spellingShingle Derzhavin
fables
Aesop
Sumarokov
Krylov
La Fontaine
Venditti, Michela
Chapter Державин и эзоповская традиция в XVIII веке
title Chapter Державин и эзоповская традиция в XVIII веке
title_full Chapter Державин и эзоповская традиция в XVIII веке
title_fullStr Chapter Державин и эзоповская традиция в XVIII веке
title_full_unstemmed Chapter Державин и эзоповская традиция в XVIII веке
title_short Chapter Державин и эзоповская традиция в XVIII веке
title_sort chapter державин и эзоповская традиция в xviii веке
topic Derzhavin
fables
Aesop
Sumarokov
Krylov
La Fontaine
topic_facet Derzhavin
fables
Aesop
Sumarokov
Krylov
La Fontaine
url ONIX_20250801T173835_9791221505856_120
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